Whew, it's been a while, huh? I'll try to get back to blogging more regularly in the new year. They say power has its privileges ... one of which is not an abundance of spare time. : )
In the meantime, here's something to think about: What would the title of your biography be? Here are some suggestions:
For Zak: Stuff I would have blown up ... if I'd gotten around to it ...
For me: Stuff I found on the floor of my office
OK, maybe these aren't titles of biographies so much as archeological dissertations. Speaking of which... Back to cleaning up.
Have a marvellous holiday season!
L
Saturday, December 22, 2007
Sunday, October 28, 2007
Beautiful passages
"My own father, who had great respect for nature, had dropped each of us into the river soon after we were born, before our ties to the amphibians, so he claimed, were cut completely. ... I'd like to think that I would have done it differently. I would have held my son in my arms. I would have told him, Once upon a time you were a fish. A fish? he'd have asked. That's what I'm telling you, a fish. How do you know? Because I was also a fish. You, too? Sure. A long time ago. How long? Long. Anyway, being a fish, you used to know how to swim. You loved the water. Why? What do you mean, why? Why did I love the water? Because it was your life! And as we talked, I would have let him go one finger at a time, until, without his realizing, he'd be floating without me."
Nicole Krauss, The History of Love
Nicole Krauss, The History of Love
Wednesday, October 10, 2007
The vault of lost lyrics, chapter 27
July days, July evenings...
**
"Summer Breeze" (as recorded by Seals and Crofts)
See the curtains hanging in the window
In the evening on a Friday night
A little light shining through the window
Lets me know everything's all right
Summer breeze makes me feel fine
Blowing through the jasmine in my mind
See the paper laying on the sidewalk
A little music from the house next door
So I walk on up to the doorstep
Through the screen and across the floor
Summer breeze makes me feel fine
Blowing through the jasmine in my mind
Sweet days of summer, the jasmine's in bloom
July is dressed up and playing her tune
And I come home from a hard day’s work
And you're waiting there
Not a care in the world
See the smile waiting in the kitchen
Food cooking and the plates for two
Feel the arms that reach out to hold me
In the evening when the day is through
Summer breeze makes me feel fine
Blowing through the jasmine in my mind…
**
"Summer Breeze" (as recorded by Seals and Crofts)
See the curtains hanging in the window
In the evening on a Friday night
A little light shining through the window
Lets me know everything's all right
Summer breeze makes me feel fine
Blowing through the jasmine in my mind
See the paper laying on the sidewalk
A little music from the house next door
So I walk on up to the doorstep
Through the screen and across the floor
Summer breeze makes me feel fine
Blowing through the jasmine in my mind
Sweet days of summer, the jasmine's in bloom
July is dressed up and playing her tune
And I come home from a hard day’s work
And you're waiting there
Not a care in the world
See the smile waiting in the kitchen
Food cooking and the plates for two
Feel the arms that reach out to hold me
In the evening when the day is through
Summer breeze makes me feel fine
Blowing through the jasmine in my mind…
Sunday, October 07, 2007
The vault of lost lyrics, chapter 38
Simple and sweet, and slightly melancholy. Don't you have those contrary days too?
**
"Hello Goodbye" (as recorded by The Beatles)
You say yes, I say no
You say stop and I say go, go, go
Oh, no
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Hello, hello
I don't know why you say goodbye
I say hello
I say high, you say low
You say why, and I say I don't know
Oh, no
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Why, why, why, why, why, why
Do you say good bye
Goodbye, bye, bye, bye, bye
Oh, no
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Hello, hello
I don't know why you say goodbye
I say hello
hello, hello
I don't know why you say goodbye I say hello
Hello
**
"Hello Goodbye" (as recorded by The Beatles)
You say yes, I say no
You say stop and I say go, go, go
Oh, no
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Hello, hello
I don't know why you say goodbye
I say hello
I say high, you say low
You say why, and I say I don't know
Oh, no
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Why, why, why, why, why, why
Do you say good bye
Goodbye, bye, bye, bye, bye
Oh, no
You say goodbye and I say hello
Hello, hello
I don't know why you say goodbye
I say hello
Hello, hello
I don't know why you say goodbye
I say hello
hello, hello
I don't know why you say goodbye I say hello
Hello
Saturday, October 06, 2007
The vault of lost lyrics, chapter 69
Maybe you remember Streetheart's cover instead of the original. Either way, it makes a fine singalong on those retro days.
**
"Tin Solider" (as recorded by The Small Faces)
I am a little tin soldier
That wants to jump into your fire
You are a look in your eye
A dream passing by in the sky
I don't understand
And all I need is treat me like a man
'Cause I ain't no child
Take me like I am
I got to know that I belong to you
Do anything that you want to do
Sing any song that you want me to sing to you
I don't need no aggravation
I just got to make you
I just got to make you my occupation
I got to know that I belong to you
Do anything that you want to do
Sing any song that you want me to sing to you
All I need is your whispered hello
Smiles melting the snow
Nothing heard
You eyes are deeper than time
Say a love that won't rhyme without words
So now I've lost my way
I need help to show me things to say
Give me your love before mine fades away
I got to know that I belong to you
Do anything that you want to do
Sing any song that you want me to sing to you
I just want some reaction
Someone to give me satisfaction
All I want to do is stick with you
'Cause I love you
**
"Tin Solider" (as recorded by The Small Faces)
I am a little tin soldier
That wants to jump into your fire
You are a look in your eye
A dream passing by in the sky
I don't understand
And all I need is treat me like a man
'Cause I ain't no child
Take me like I am
I got to know that I belong to you
Do anything that you want to do
Sing any song that you want me to sing to you
I don't need no aggravation
I just got to make you
I just got to make you my occupation
I got to know that I belong to you
Do anything that you want to do
Sing any song that you want me to sing to you
All I need is your whispered hello
Smiles melting the snow
Nothing heard
You eyes are deeper than time
Say a love that won't rhyme without words
So now I've lost my way
I need help to show me things to say
Give me your love before mine fades away
I got to know that I belong to you
Do anything that you want to do
Sing any song that you want me to sing to you
I just want some reaction
Someone to give me satisfaction
All I want to do is stick with you
'Cause I love you
Wednesday, October 03, 2007
The vault of lost lyrics, chapter 94
One of the best songs for remembering sunny summer days.
**
"At the Zoo" (as recorded by Simon and Garfunkel)
Someone told me
It's all happening at the zoo
I do believe it
I do believe it's true
It's a light and tumble journey
From the East Side to the park
Just a fine and fancy ramble
To the zoo
But you can take the crosstown bus
If it's raining or it's cold
And the animals will love it
If you do, if you do
Something tells me
It's all happening at the zoo
I do believe it
I do believe it's true
The monkeys stand for honesty
Giraffes are insincere
And the elephants are kindly but they're dumb
Orangutans are skeptical
Of changes in their cages
And the zookeeper is very fond of rum
Zebras are reactionaries
Antelopes are missionaries
Pigeons plot in secrecy
And hamsters turn on frequently
What a gas! You gotta come and see
At the zoo...
**
"At the Zoo" (as recorded by Simon and Garfunkel)
Someone told me
It's all happening at the zoo
I do believe it
I do believe it's true
It's a light and tumble journey
From the East Side to the park
Just a fine and fancy ramble
To the zoo
But you can take the crosstown bus
If it's raining or it's cold
And the animals will love it
If you do, if you do
Something tells me
It's all happening at the zoo
I do believe it
I do believe it's true
The monkeys stand for honesty
Giraffes are insincere
And the elephants are kindly but they're dumb
Orangutans are skeptical
Of changes in their cages
And the zookeeper is very fond of rum
Zebras are reactionaries
Antelopes are missionaries
Pigeons plot in secrecy
And hamsters turn on frequently
What a gas! You gotta come and see
At the zoo...
Monday, October 01, 2007
Breast cancer versus prostate cancer
October is breast cancer month in Canada. You likely already know this because of the pink ribbons in magazines and newspapers, in stores and businesses, and on various products, or because you're supporting a run to fund breast cancer research.
Did you know September was prostate cancer awareness month?
Breast cancer is the most common cancer among Canadian women, while prostate cancer is the most common cancer among Canadian men. In fact, prostate cancer accounts for almost one in three cancer diagnoses among Alberta men.
In 2007, an estimated 22,300 men will be diagnosed with prostate cancer and 4,300 will die of it. In 2007, an estimated 22,300 women will be diagnosed with breast cancer and 5,300 will die of it.
These figures mean that, on average, 429 Canadian men will be diagnosed with prostate cancer every week and 83 Canadian men will die of prostate cancer every week. At the same time, an average of 429 Canadian women will be diagnosed with breast cancer every week and 102 Canadian women will die of breast cancer every week. (In the United States, more black women die of breast cancer than white women do.)
At a local level, an estimated 2,400 men will be diagnosed with prostate cancer and 430 will die of it in Alberta and the Northwest Territories, while an estimated 2,000 women will be diagnosed with breast cancer and 440 will die of it in Alberta and the Northwest Territories.
Breast cancer tends to be a more lethal cancer and tends to develop earlier in life than prostate cancer. One in eight men will develop prostate cancer during his lifetime, for most after age sixty. One in 27 will die of it. One in nine women is expected to develop breast cancer during her lifetime, and one in twenty-seven will die of it. (An estimated 170 men are diagnosed each year with breast cancer and 50 will die of it.)
However, breast cancer death rates have declined in all ages combined and in every age group since at least the mid 1990s. Incidence and death rates for breast cancer have declined since 1969 in women aged 20 to 39.
So research does make a difference, and your donations to fight cancer are important. But don't be swayed to buy pretty pink products that you wouldn't otherwise buy, and don't be coerced into donating just because it's October. The pink ribbon is appealing, but advances in all areas of cancer research are needed now.
You can make your money make a difference. Donate directly to organizations that fund cancer research rather than buying products that direct a portion of their profits to funding cancer organizations. Support products and organizations that generate funds and awareness year-round rather than just once a year. Cancer organizations are happy to receive your donation throughout the year, whether it's breast cancer, prostate cancer, lung cancer, or general cancer research that you prefer to support, and most donations to registered charitable and nonprofit organizations are tax-creditable.
Cancer is an ugly disease, no matter who gets it. It is tragic when a beautiful woman in her twenties or thirties learns she has cancer, but it is also tragic when a brilliant man in his fifties or sixties learns he has cancer. This month, join the fight to end ALL cancers.
All statistics are from the Canadian Cancer Society, www.cancer.ca.
Did you know September was prostate cancer awareness month?
Breast cancer is the most common cancer among Canadian women, while prostate cancer is the most common cancer among Canadian men. In fact, prostate cancer accounts for almost one in three cancer diagnoses among Alberta men.
In 2007, an estimated 22,300 men will be diagnosed with prostate cancer and 4,300 will die of it. In 2007, an estimated 22,300 women will be diagnosed with breast cancer and 5,300 will die of it.
These figures mean that, on average, 429 Canadian men will be diagnosed with prostate cancer every week and 83 Canadian men will die of prostate cancer every week. At the same time, an average of 429 Canadian women will be diagnosed with breast cancer every week and 102 Canadian women will die of breast cancer every week. (In the United States, more black women die of breast cancer than white women do.)
At a local level, an estimated 2,400 men will be diagnosed with prostate cancer and 430 will die of it in Alberta and the Northwest Territories, while an estimated 2,000 women will be diagnosed with breast cancer and 440 will die of it in Alberta and the Northwest Territories.
Breast cancer tends to be a more lethal cancer and tends to develop earlier in life than prostate cancer. One in eight men will develop prostate cancer during his lifetime, for most after age sixty. One in 27 will die of it. One in nine women is expected to develop breast cancer during her lifetime, and one in twenty-seven will die of it. (An estimated 170 men are diagnosed each year with breast cancer and 50 will die of it.)
However, breast cancer death rates have declined in all ages combined and in every age group since at least the mid 1990s. Incidence and death rates for breast cancer have declined since 1969 in women aged 20 to 39.
So research does make a difference, and your donations to fight cancer are important. But don't be swayed to buy pretty pink products that you wouldn't otherwise buy, and don't be coerced into donating just because it's October. The pink ribbon is appealing, but advances in all areas of cancer research are needed now.
You can make your money make a difference. Donate directly to organizations that fund cancer research rather than buying products that direct a portion of their profits to funding cancer organizations. Support products and organizations that generate funds and awareness year-round rather than just once a year. Cancer organizations are happy to receive your donation throughout the year, whether it's breast cancer, prostate cancer, lung cancer, or general cancer research that you prefer to support, and most donations to registered charitable and nonprofit organizations are tax-creditable.
Cancer is an ugly disease, no matter who gets it. It is tragic when a beautiful woman in her twenties or thirties learns she has cancer, but it is also tragic when a brilliant man in his fifties or sixties learns he has cancer. This month, join the fight to end ALL cancers.
All statistics are from the Canadian Cancer Society, www.cancer.ca.
Sunday, September 30, 2007
The vault of lost lyrics, chapter 49
A little-known song from the late eighties: sweet, simple, and a tiny bit sad.
**
"I Wish U Heaven" (as recorded by Prince)
Doubts of our conviction
Follow where we go
And when the world's compassion
Ceases still I know
4 your every touch I
Thank U so much
4 your every kiss I...
I wish U love
I wish U heaven
I wish U heaven
If I say 11
U can say it's 7
Still I wish U heaven
I wish U love
I wish U heaven
I wish U heaven...
**
"I Wish U Heaven" (as recorded by Prince)
Doubts of our conviction
Follow where we go
And when the world's compassion
Ceases still I know
4 your every touch I
Thank U so much
4 your every kiss I...
I wish U love
I wish U heaven
I wish U heaven
If I say 11
U can say it's 7
Still I wish U heaven
I wish U love
I wish U heaven
I wish U heaven...
Saturday, September 29, 2007
The vault of lost lyrics, chapter 46
Someone somewhere is thinking of you right this minute.
**
"Losing My Religion" (as recorded by R.E.M.)
Life is bigger
It's bigger than you
And you are not me
The lengths that I will go to
The distance in your eyes
Oh no, I've said too much
I set it up
That's me in the corner
That's me in the spotlight
Losing my religion
Trying to keep up with you
And I don't know if I can do it
Oh no, I've said too much
I haven't said enough
I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try
Every whisper
Of every waking hour I'm
Choosing my confessions
Trying to keep an eye on you
Like a hurt lost and blinded fool
Oh no, I've said too much
I set it up
Consider this
The hint of the century
Consider this
The slip that brought me
To my knees failed
What if all these fantasies
Come flailing around
Now I've said too much
I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try
But that was just a dream
That was just a dream
**
"Losing My Religion" (as recorded by R.E.M.)
Life is bigger
It's bigger than you
And you are not me
The lengths that I will go to
The distance in your eyes
Oh no, I've said too much
I set it up
That's me in the corner
That's me in the spotlight
Losing my religion
Trying to keep up with you
And I don't know if I can do it
Oh no, I've said too much
I haven't said enough
I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try
Every whisper
Of every waking hour I'm
Choosing my confessions
Trying to keep an eye on you
Like a hurt lost and blinded fool
Oh no, I've said too much
I set it up
Consider this
The hint of the century
Consider this
The slip that brought me
To my knees failed
What if all these fantasies
Come flailing around
Now I've said too much
I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try
But that was just a dream
That was just a dream
Friday, September 28, 2007
The vault of lost lyrics, chapter 97
Ideally, this song is playing while you're flying down the highway, headed for happiness...
**
"Magic Carpet Ride" (as recorded by Steppenwolf, 1968!)
I like to dream yes, yes, right between my sound machine
On a cloud of sound I drift in the night
Any place it goes is right
Goes far, flies near, to the stars away from here
Well, you don't know what we can find
Why don't you come with me, little girl
On a magic carpet ride
You don't know what we can see
Why don't you tell your dreams to me
Fantasy will set you free
Close your eyes, girl
Look inside, girl
Let the sound take you away
Last night I held Aladdin's lamp
And so I wished that I could stay
Before the thing could answer me
Well, someone came and took the lamp away
I looked around
A lousy candle's all I found
Well, you don't know what we can find
Why don't you come with me, little girl
On a magic carpet ride
Well, you don't know what we can see
Why don't you tell your dreams to me
Fantasy will set you free
Close your eyes, girl
Look inside, girl
Let the sound take you away...
**
"Magic Carpet Ride" (as recorded by Steppenwolf, 1968!)
I like to dream yes, yes, right between my sound machine
On a cloud of sound I drift in the night
Any place it goes is right
Goes far, flies near, to the stars away from here
Well, you don't know what we can find
Why don't you come with me, little girl
On a magic carpet ride
You don't know what we can see
Why don't you tell your dreams to me
Fantasy will set you free
Close your eyes, girl
Look inside, girl
Let the sound take you away
Last night I held Aladdin's lamp
And so I wished that I could stay
Before the thing could answer me
Well, someone came and took the lamp away
I looked around
A lousy candle's all I found
Well, you don't know what we can find
Why don't you come with me, little girl
On a magic carpet ride
Well, you don't know what we can see
Why don't you tell your dreams to me
Fantasy will set you free
Close your eyes, girl
Look inside, girl
Let the sound take you away...
Thursday, September 27, 2007
The vault of lost lyrics, chapter 89
Always reminds me of the auto-percussion selection on my mother's electronic organ!
**
"Steppin' Out" (as recorded by Joe Jackson)
Now —
The mist across the window hides the lines
But nothing hides the colour of the lights that shine
Electricity so fine
Look and dry your eyes
We —
So tired of all the darkness in our lives
With no more angry words to say
Can come alive
Get into a car and drive
To the other side
Me, babe — steppin' out
Into the night
Into the light
You, babe — steppin' out
Into the night
Into the light
We —
Are young but getting old before our time
We'll leave the TV and the radio behind
Don't you wonder what we'll find
Steppin' out tonight
You —
Can dress in pink and blue just like a child
And in a yellow taxi turn to me and smile
We'll be there in just a while
If you follow me
Me, babe — steppin' out
Into the night
Into the light
You, babe - steppin' out
Into the night
Into the light ...
**
"Steppin' Out" (as recorded by Joe Jackson)
Now —
The mist across the window hides the lines
But nothing hides the colour of the lights that shine
Electricity so fine
Look and dry your eyes
We —
So tired of all the darkness in our lives
With no more angry words to say
Can come alive
Get into a car and drive
To the other side
Me, babe — steppin' out
Into the night
Into the light
You, babe — steppin' out
Into the night
Into the light
We —
Are young but getting old before our time
We'll leave the TV and the radio behind
Don't you wonder what we'll find
Steppin' out tonight
You —
Can dress in pink and blue just like a child
And in a yellow taxi turn to me and smile
We'll be there in just a while
If you follow me
Me, babe — steppin' out
Into the night
Into the light
You, babe - steppin' out
Into the night
Into the light ...
Wednesday, September 26, 2007
The vault of lost lyrics, chapter 31
Another great one-off — perfect for your morning commute!
**
"Ah! Leah!" (as recorded by Donnie Iris)
Leah, it's been a long long time
You're such a sight
You're looking better than a body has a right to
Don't you know we're playing with the fire?
But we can't stop this burning desire
Ah! Leah! Here we go again
Ah! Leah! Is it ever going to end?
I see your lips and I wonder who's been kissing them
I never knew how badly I was missing them
We both know we're never going to make it
but when we touch, we never have to fake it
Ah! Leah! Here we go again
Ah! Leah! Is it ever going to end?
We ain't learned our lesson yet
Baby, it's no good
We're just asking for trouble
I can touch you but I don't know how to love you
It ain't no use, we're headed for disaster
Our minds say no but our hearts are talking faster
Ah! Leah! Here we go again
Ah! Leah! Is it ever going to end?
**
"Ah! Leah!" (as recorded by Donnie Iris)
Leah, it's been a long long time
You're such a sight
You're looking better than a body has a right to
Don't you know we're playing with the fire?
But we can't stop this burning desire
Ah! Leah! Here we go again
Ah! Leah! Is it ever going to end?
I see your lips and I wonder who's been kissing them
I never knew how badly I was missing them
We both know we're never going to make it
but when we touch, we never have to fake it
Ah! Leah! Here we go again
Ah! Leah! Is it ever going to end?
We ain't learned our lesson yet
Baby, it's no good
We're just asking for trouble
I can touch you but I don't know how to love you
It ain't no use, we're headed for disaster
Our minds say no but our hearts are talking faster
Ah! Leah! Here we go again
Ah! Leah! Is it ever going to end?
Tuesday, September 25, 2007
The vault of lost lyrics, chapter 17
Turn up your mental speakers and sing along!
**
"Turning Japanese" (as recorded by The Vapors)
I've got your picture of me and you
You wrote "I love you"
I wrote "Me too"
I sit there staring and there's nothing else to do
Oh it's in color
Your hair is brown
Your eyes are hazel
And soft as clouds
I often kiss you when there's no one else around
I've got your picture, I've got your picture
I'd like a million of you all round my cell
I want a doctor to take your picture
So I can look at you from inside as well
You've got me turning up and turning down
And turning in and turning 'round
Turning Japanese, I think I'm turning Japanese
I really think so...
I've got your picture, I've got your picture
I'd like a million of them all round my cell
I want the doctor to take a picture
So I can look at you from inside as well
You've got me turning up and turning down
and turning in and turning 'round
Turning Japanese, I think I'm turning Japanese
I really think so...
No sex, no drugs, no wine, no women
No fun, no sin, no you, no wonder it's dark
Everyone around me is a total stranger
Everyone avoids me like a cyclone ranger
That's why I'm turning Japanese
I think I'm turning Japanese
I really think so
Turning Japanese
I think I'm turning Japanese
I really think so...
**
"Turning Japanese" (as recorded by The Vapors)
I've got your picture of me and you
You wrote "I love you"
I wrote "Me too"
I sit there staring and there's nothing else to do
Oh it's in color
Your hair is brown
Your eyes are hazel
And soft as clouds
I often kiss you when there's no one else around
I've got your picture, I've got your picture
I'd like a million of you all round my cell
I want a doctor to take your picture
So I can look at you from inside as well
You've got me turning up and turning down
And turning in and turning 'round
Turning Japanese, I think I'm turning Japanese
I really think so...
I've got your picture, I've got your picture
I'd like a million of them all round my cell
I want the doctor to take a picture
So I can look at you from inside as well
You've got me turning up and turning down
and turning in and turning 'round
Turning Japanese, I think I'm turning Japanese
I really think so...
No sex, no drugs, no wine, no women
No fun, no sin, no you, no wonder it's dark
Everyone around me is a total stranger
Everyone avoids me like a cyclone ranger
That's why I'm turning Japanese
I think I'm turning Japanese
I really think so
Turning Japanese
I think I'm turning Japanese
I really think so...
Sunday, September 09, 2007
A Book to Avoid
I'm sure few of you would ever be moved to read Ann Brashares' new novel, The Last Summer (of You and Me) . But for those who might be tempted, let me say this: don't bother.
Brashares, in case you don't know, is the author of the outrageously successful Sisterhood of the Travelling Pants series for young adults. The series is chock-full of annoying, low-grade YA clichés: genre-bound, simplistic, predictable exchanges that follow a high-key Hollywood arc. Nothing truly bad happens, the risks the protagonists face are minor and non-threatening, and the books invariably resolve happily, with renewed commitment to friendship forever (a commitment that strangely ebbs away by the beginning of the next book). Earlier this year Brashares brought all her Travelling Pants heroines to the cusp of adulthood, perhaps thinking her readership would then graduate to the new novel she's written for adults. And while readers might buy the book because they recognize the author's name, I can't imagine any but those who like badly written, formulaic storytelling enjoying it.
The Last Summer tells the story of Alice and Riley, sisters in their early twenties, and their best boy pal, Paul. After several years apart, the trio reunite at their summer homes on Fire Island. Preposterousness then ensues: a secret romance, a fast-moving tragedy, a protracted misunderstanding, and a final tearful resolution. Despite more than 300 pages of plot and exposition, real characters never arrive to flesh out Brashares' sketches. Her prose is bloated and occasionally pedantic — there is no doubt readers will understand the deeper philosophy the writer means to communicate, if only because the writer underlines it in triplicate. Brashares' technique alternates between stilted, extremely formal constructions and vapid, throwaway sentences. When the copyediting started to fall apart, about 100 pages into the novel, I was convinced the editor was having as much trouble taking the book seriously as I was. Not only could I predict the plot from chapter one; at no point did the writer make me care about the story or the characters. Even the sex scenes are coy and cool, as they would be in one of Brashares' YA books, and the serious problems of young adults living in an increasingly complex world are waved away, deferred for contemplation some vague time after Labour Day.
I'd been hoping that Brashares had more promise than her Travelling Pants premise permitted her to express — I was looking forward to a breakout book. Sadly, this is no breakout; it isn't even good summer reading. Clichéd, trite, underdeveloped and overwritten, The Last Summer (of You and Me) is a book to avoid.
Brashares, in case you don't know, is the author of the outrageously successful Sisterhood of the Travelling Pants series for young adults. The series is chock-full of annoying, low-grade YA clichés: genre-bound, simplistic, predictable exchanges that follow a high-key Hollywood arc. Nothing truly bad happens, the risks the protagonists face are minor and non-threatening, and the books invariably resolve happily, with renewed commitment to friendship forever (a commitment that strangely ebbs away by the beginning of the next book). Earlier this year Brashares brought all her Travelling Pants heroines to the cusp of adulthood, perhaps thinking her readership would then graduate to the new novel she's written for adults. And while readers might buy the book because they recognize the author's name, I can't imagine any but those who like badly written, formulaic storytelling enjoying it.
The Last Summer tells the story of Alice and Riley, sisters in their early twenties, and their best boy pal, Paul. After several years apart, the trio reunite at their summer homes on Fire Island. Preposterousness then ensues: a secret romance, a fast-moving tragedy, a protracted misunderstanding, and a final tearful resolution. Despite more than 300 pages of plot and exposition, real characters never arrive to flesh out Brashares' sketches. Her prose is bloated and occasionally pedantic — there is no doubt readers will understand the deeper philosophy the writer means to communicate, if only because the writer underlines it in triplicate. Brashares' technique alternates between stilted, extremely formal constructions and vapid, throwaway sentences. When the copyediting started to fall apart, about 100 pages into the novel, I was convinced the editor was having as much trouble taking the book seriously as I was. Not only could I predict the plot from chapter one; at no point did the writer make me care about the story or the characters. Even the sex scenes are coy and cool, as they would be in one of Brashares' YA books, and the serious problems of young adults living in an increasingly complex world are waved away, deferred for contemplation some vague time after Labour Day.
I'd been hoping that Brashares had more promise than her Travelling Pants premise permitted her to express — I was looking forward to a breakout book. Sadly, this is no breakout; it isn't even good summer reading. Clichéd, trite, underdeveloped and overwritten, The Last Summer (of You and Me) is a book to avoid.
Sunday, September 02, 2007
Thirty Days in the Summer of 07
Thursday, August 23, 2007
Happy Birthday, Zak!
Hi Zak!
Happy Sixteenth! We hope your birthday is fun and wonderful, and wish you a successful and enjoyable year ahead. Oh, and lots of exploding. That too. : )
Lots of love,
Mom and Dad
Happy Sixteenth! We hope your birthday is fun and wonderful, and wish you a successful and enjoyable year ahead. Oh, and lots of exploding. That too. : )
Lots of love,
Mom and Dad
Monday, July 09, 2007
They say you can publish documents from Google docs staright to your blog. Well if this works I guess it means you can. Thus all your bold or italics are then translated and colours too. Interesting.
In other new, it is 11 days till I and Zak head off on our adventure. I will try and keep a blog going over at macblaze.hopto.org. We are heading off to Canmore to take a climbing course (Intro to Trad) with Leslie and then she's back to work while Zak, Doug and I head to Lake Louise for a couple of days and then off to Waterton for a couple more. After that its catch as catch can until we hit Squamish on the 31st. Doug will take th train back and then Zak and I will meet up with Leslie in Vancouver on the 4th.
Then follows 8 days of sailing on this boat before we meander our way back home via Skaha oand maybe the Ghost Wilderness.
11 days...
In other new, it is 11 days till I and Zak head off on our adventure. I will try and keep a blog going over at macblaze.hopto.org. We are heading off to Canmore to take a climbing course (Intro to Trad) with Leslie and then she's back to work while Zak, Doug and I head to Lake Louise for a couple of days and then off to Waterton for a couple more. After that its catch as catch can until we hit Squamish on the 31st. Doug will take th train back and then Zak and I will meet up with Leslie in Vancouver on the 4th.
Then follows 8 days of sailing on this boat before we meander our way back home via Skaha oand maybe the Ghost Wilderness.
11 days...
Sunday, July 08, 2007
Beautiful Sunday
Anyone remember that song?
Hi, hi, hi beautiful Sunday
This is my, my, my beautiful day
When you say, say, say, say that you love me
Oh, my, my, my it's a beautiful day
It's been a while since I've sat down to write. Lots has been happening, too. I remain chair of my program and have a mentor for my "practicum" year of leadership training. And now I must get busy writing my candidacy proposal, with the aim of taking my candidacy exam by Winter Solstice. A little faster than I had expected to do things, but probably in the realm of the possible. Tomorrow I begin a course on the work of Paulo Freire — lots of reading on the horizon!
To that end, here's a quotation from Gadamer:
To participate with the other and to be part of the other is the most and the best that we can strive for and accomplish ... We may perhaps survive as humanity if we would be able to learn that we may not simply exploit our means of power and effective possibilities, but we must stop and respect the other, whether it is nature or the grown culture of people and nations.
And further:
We live in separate realities, but we live with each other.
And from Freire himself:
I have the right to be angry and to express that anger, to hold it as my motivation to fight, just as I have the right to love and to express my love for the world, to hold it as my motivation to fight, because while a historical being, I live history as a time of possibility, not of predetermination. If reality were what it is because it was written so, there would be no reason to be angry.
Must fly — really must clean my office, and other stuff, before the house gets too warm. I hope to talk with you soon!
L
Hi, hi, hi beautiful Sunday
This is my, my, my beautiful day
When you say, say, say, say that you love me
Oh, my, my, my it's a beautiful day
It's been a while since I've sat down to write. Lots has been happening, too. I remain chair of my program and have a mentor for my "practicum" year of leadership training. And now I must get busy writing my candidacy proposal, with the aim of taking my candidacy exam by Winter Solstice. A little faster than I had expected to do things, but probably in the realm of the possible. Tomorrow I begin a course on the work of Paulo Freire — lots of reading on the horizon!
To that end, here's a quotation from Gadamer:
To participate with the other and to be part of the other is the most and the best that we can strive for and accomplish ... We may perhaps survive as humanity if we would be able to learn that we may not simply exploit our means of power and effective possibilities, but we must stop and respect the other, whether it is nature or the grown culture of people and nations.
And further:
We live in separate realities, but we live with each other.
And from Freire himself:
I have the right to be angry and to express that anger, to hold it as my motivation to fight, just as I have the right to love and to express my love for the world, to hold it as my motivation to fight, because while a historical being, I live history as a time of possibility, not of predetermination. If reality were what it is because it was written so, there would be no reason to be angry.
Must fly — really must clean my office, and other stuff, before the house gets too warm. I hope to talk with you soon!
L
Sunday, May 27, 2007
Rock On
Went climbing outside for the first time this year and visited Hogwart's and Waterknot Wall. Everyone did their fair share of leading (even Leslie) although she did comment that she considered coming down her reward for having to go up. Kind of makes her more of a descender than a climber but I guess everyone has their own schtick.
Bruce starts the day off with some warmups on the easy Hogwart's Wall. It was a lovely day if a bit windy.

Zak follows up with some moves of his own.

Lelsie shows here moves with a couple of lead climbs of her own. She generally doesn't like to lead and that goes double for outside. She really rocked and pushed through a couple of difficult moments...
All this with an audience! (check out the spot below the wire-like shadow on the road and spot the sheep!)

Moving up the hill to Waterknot and a few tougher climbs, Zak shows off his safety-concious fashion sense. Only a 5.6, but the crux is below the first clip.

Zak moves on to the 5.11b...HARD! He pulls off the first three bolts before his fingers give out and he bails to give Dad a chance.

Bruce takes up the challenge and after a few attempts, finally dials in the next two moves but can't make the clip. After a couple of tries apiece, Zak and Dad bail and slink off to climb easier stuff.

Meanwhile Leslie is content to pummel the 5.8 into submission and work on her style points.

After a long day, we look back up the hill to the small cliff band (indicated) that makes up Waterknot Wall.
Wednesday, May 23, 2007
Seven big ones
A list compiled many, many years ago: seven phrases for ending (or at least redirecting) discussion, as identified by a master evader.
1. OK.
2. Right.
3. Sure.
4. So...
5. Anyway...
6. Whatever.
7. Never mind.
Of course, intonation is everything. Don't try this at home!
L
1. OK.
2. Right.
3. Sure.
4. So...
5. Anyway...
6. Whatever.
7. Never mind.
Of course, intonation is everything. Don't try this at home!
L
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