John Irving, A Prayer for Owen Meany
Monday, December 24, 2012
My Five-Star Bookshelf, Part Thirteen
John Irving, A Prayer for Owen Meany
Perhaps it's because I read it between my third and fourth
years at university, when I reading a great deal about Christianity and forms
of belief, that this novel was so resonant for me. The plot follows two boys,
John and Owen, from their childhood to their mature lives. John is the
present-day narrator, having left the United States to settle in Toronto. Owen
believes he is an instrument of God, born to enact a divine purpose; while the
story follows this direction, there is much else going on as well. While there
are many familiar Irving-esque themes in the book, there are also some particular
ideas and explorations that raise the book above Irving's earlier absurd and sometimes
simply comic interests.
To be fair, I should also list The Cider House Rules as one of my five-star books, but Owen Meany reaches slightly beyond Cider House for me because of the
character of Owen Meany himself. The
Cider House Rules is a novel about extraordinary circumstances with a cast
of unusual characters. And for that matter, I might list The Hotel New Hampshire, too, although it's not really a five-star
novel despite giving me a long-standing creative motif. For me, A Prayer for Owen Meany is the story of
the formation of an unusual character. If you haven't read this book and love
character-driven narrative, you should really enjoy this novel.
Saturday, December 22, 2012
My Five-Star Bookshelf, Part Twelve
Zora Neale Hurston, Their Eyes Were Watching God
While I love all of this novel, what made it a five-star book
for me is a line of description of Tea Cake, one of the characters the
protagonist marries. It begins, "Ready with his grin." Something
about this passage sticks with me even now, years after reading this novel.
But there are many reasons to read Their Eyes Were Watching God. The language is certainly one of
them: it's dazzling. Most of the novel is presented in dialect, so acutely
captured I can imagine voices speaking the story. It is a Modernist novel,
although it defies the sterile and emotionless wasteland that had by the 1930s
largely become the Modernist space; Their
Eyes is sensual in a wide-ranging way, far beyond sex and sexuality. Their Eyes is also something of a
romance, albeit involving a very complicated series of relationships, some of
them bleak. Most importantly, it is the text of a black woman writer from an era
that would happily have silenced her voice, and simply to read her story is to
experience a world that we might never otherwise have known.
This book was not well received on its original publication;
apparently the novel required feminist rediscovery and the rise of race studies
in the 1980s and 1990s to find its real place in the canon (assuming, of
course, that there is such a thing). Another reviewer succinctly captures my
wish for this book: "Just read it. Please." Indeed.
Sunday, November 04, 2012
My Five-Star Bookshelf, Part Eleven
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Keri Hulme, The Bone People
Keri Hulme, The Bone People
I read this novel in a course about popular literature and
had no idea at the time that it was a prize-winning or important book. What I
remember about my initial reading of this book was that it was dazzling,
horrifying, and captivating.
The Bone People is
the story of Kerewin, an artist who has isolated herself in a tower; Simon, a wild
child with a mysterious past; and Joe, the man who is raising Simon despite
troubled circumstances. The novel is about various kinds of love that persists
despite brutal happenings. It is also a novel about the Maori and the power of myth,
story, and language.
At the time I first read this novel, I knew almost nothing
about post-colonial discourse or the resistant colonial writer. You don't need
this knowledge to enjoy this novel. It is not an easy text to read; you will
likely feel the pain these characters endure, and the ending will not
necessarily bring resolution. But reading this novel may open our eyes to other
ways of being, to other configurations of family, and to other ways of
understanding the world.
An assignment I regularly ask my students to complete is an
investigation of various literary prizes; I ask them to consider the value of such
prizes in the configuration of the literary field, the reputation of the author
(and his/her consequent Author Function), and the fortunes of the physical
object of the book itself (that is, whether it sells better as a result of the
award). The Bone People leaves me intrigued today with many ideas for academic writing;
but here I want to convey how I much enjoyed this novel as an undergraduate. In
giving me, a sheltered nineteen-year-old Canadian female, a larger, violent but
magical view of life, this novel certainly changed my world.
Saturday, October 13, 2012
My Five-Star Bookshelf, Part Ten
Janette Turner Hospital, Charades
I didn't realize how privileged I was to attend the
University of Alberta in the late 1980s, when abundant Canada Council funds
meant that I could attend a reading from a Canadian writer almost every week of
my undergrad life. One of these readers was Janette Turner Hospital, who on that
occasion read from Charades (note that the second A is pronounced AH:
sha-rahdz). The passage the author read was well selected: tense, unusual,
disturbing, full of strange religion and difficult family relationships. I bought
the novel a short time later and devoured it, and have reread it several times
since graduation. I have also read other novels by Hospital, but none has stuck
with me like Charades.
The novel follows a young Australian woman named Charade Ryan, who is
searching for her father. Coming from an unusual family, she is acutely aware
of language and deliciously tangled in story. Her narrative is by turns
erotically coy, brutal, and insightful. Its themes resonated for me at so many
levels. Charades is set in Australia and Canada, and ranges from the Holocaust
to classical music to theoretical physics. It is exquisitely constructed and very smart, but
also emotionally shocking.
Just writing about it now, I want to dig up the book out and
read it again. This is a book I give as a gift when I can find it, although it
is apparently out of print at this time. If you find it used or in the library,
read it. The thousand and one moments of this novel are sure to stay with you.
Tuesday, October 09, 2012
Oh, not again
So, it must have been a really, really, really slow news day to generate this story.
Really? The whole Habitat for Humanity thing wasn't enough? This former "alderman" felt he needed more press time? OMG.
So glad I don't live in St Albert any longer, so I don't have to be associated with the idiocy of some people who do.
Really? The whole Habitat for Humanity thing wasn't enough? This former "alderman" felt he needed more press time? OMG.
So glad I don't live in St Albert any longer, so I don't have to be associated with the idiocy of some people who do.
Sunday, August 19, 2012
My Five-Star Bookshelf, Part Nine
David Harvey, A Brief History of Neoliberalism
As the writing of my dissertation went on and on (and on and
on), my focus began to shift from the English Language Arts curriculum per se
to the construction of class identity through the politicization of text. One
of the most important sources for my specific focus on Alberta political
economy was A Brief History of Neoliberalism. If you want to understand concepts
like the shrinking of the middle class, the growing gap between rich and poor,
and the destruction of the so-called Nanny State, you need this book. It will
help you recognize both the specific political entity that is neoliberalism and
the historical and philosophical contexts that brought it into being — and that
allow it to remain strong. The retrenchment of economic survival of the fittest following the systemic weakening of the welfare state is not an accident, he explains: it is a deliberate and calculated effort to protect the interests of the power elite around the world.
David Harvey is really, really smart. He doesn't just make a
claim; he makes an argument, and he knows what he's talking about. He's
critical. His analysis of the political economy of developed and some
developing countries is acute (look Harvey up on Youtube if you want to
see/hear him in action). This book, as well of some of his others, gave me both
a model to describe what I perceived in my own location and had read about in
other texts and the analytical tools for situating and connecting various forms
of neoliberal thought. Given my theoretical orientation, the careful parsing of
classical liberal, contemporary liberal, and neoliberal (and of conservative
and neoconservative) is crucial. Harvey's text was, and remains, an important basis
for explaining the significance of my dissertation topic.
But there's another layer to Harvey's book. Following the familiar
paraphrasing of Marx, Harvey does not merely explain the world; he seeks to
change it. He is not arguing for the sake of argument; he is arguing to spark,
to rally, to mobilize. We are best prepared to struggle for change when we can
recognize that this world is structured to benefit one group at the expense of
another and that another world is possible. This perspective is perhaps the
greater lesson of this book, and Harvey provides strong, global systemic analysis
to support your local, specific resistance.
OK, you probably won't read this book. It's dense and
difficult, and many political philosophers have moved beyond class analysis in
the aftermath of George W. Bush and the War on Terror. But I promise you, this
text is worth the effort you'll put into it. And just having it on your
bookshelf may make you feel smarter and stronger — and may remind you that fair
change is possible.
Saturday, August 18, 2012
If I had my own call number
So there's this thing called a Dewey Decimal Quiz that will categorize you with just a few keystrokes. I like my theoretical call number — it seems rather apt! Now, what would I be in the LOC system, I wonder?
La's Dewey Decimal Section:
175 Ethics of recreation & leisure
L—— V—— = 2592952583558 = 259+295+258+355+8 = 1175
Class:
100 Philosophy & Psychology
Contains:
Books on metaphysics, logic, ethics and philosophy.
What it says about you:
You're a careful thinker, but your life can be complicated and hard for others to understand at times. You try to explain things and strive to express yourself.
Find your Dewey Decimal Section at Spacefem.com
Want to find out your own Dewey Decimal call number? Click here and follow the steps.
Thursday, July 19, 2012
Glory of the Eighties
(I've been such a busy bee, working working working and editing editing editing. Will get back to posting my five-star books soon. In the meantime, here's something that's been tumbling around in my head.)
So it would seem that the Eighties are another long decade.
Somehow the Seventies contracted, allowing the Eighties to begin in late 1978
or early 1979; the Nineties graciously reciprocated by allowing the Eighties to
continue until the release of Nevermind
in late 1991. In much the way that we refer to "the Sixties" to evoke
the period from the Summer of Love to the break-up of the Beatles, today's
young writers and editors refer to the Eighties to evoke the period of crass
consumerism, allegedly bad fashion, neon colours, and big hair. Hmm, that
sounds pretty familiar to — well, to the life we live today — and maybe that's why so many people now find
the Eighties so evocative. The Eighties may offer a touchstone to help us
understand what we're going through in the 2010s. That's kind of glorious,
right?
Or maybe just depressing. That whole thing about history
repeating itself... Hmm.
Then again, I kinda liked the hair...
Tuesday, July 03, 2012
My Five-Star Bookshelf, Part Eight
Jeff Gailus, The Grizzly Manifesto: In Defence of the Great Bear
If you know me at all, you know I have a fascination with
bears. Jeff Gailus' book makes an intellectually fierce and personally
impassioned argument for paying attention to the fate of the grizzly bear. For
its topic alone, the book would have my attention; but for its insights, its
argumentation, and its voice, it has a position as one of my five-star books.
Bears are culturally fascinating because of their
intelligence, their strength, and their behaviours; and the grizzly, with its
huge range and towering stature, is a mythic creature living in our midst. Unfortunately,
living in the midst of modern humans has set the grizzly on its downfall: most
of what we read about grizzlies today has to do with attacks on humans, deaths
of bears on railway tracks, or lotteries for hunting permits. Grizzlies in
Canada are in peril, and Gailus' book explains why. Interestingly, he offers a
trans-national perspective for bear management, suggesting provocatively that —
gasp! — the United States may, in Yellowstone Park, at least, be doing a better
job than Canada in managing its grizzlies and other large carnivores. Given
that the bears' natural range extends from the Arctic tundra to far south of
the forty-ninth parallel and that the bears don't notice national boundaries,
we must start thinking internationally if we hope to keep grizzly populations
viable.
But there is the pivotal point: do we have the will to keep
these large carnivores alive when our continued social wealth depends on moving
increasingly into the bears' remaining habitats? If we examine Alberta
headlines from the last ten years, we might conclude the answer is no. Gailus
provides a strong reason for that answer to be yes.
This slim book should be required reading for both
environmentalists and policy-makers. If you live in Alberta or British
Columbia; if you visit Canada's mountain parks; if you care about the fate of
North American ecosystems, read this book and discover how you are implicated
in the death of grizzlies and how you can change the fate of the grizzlies that
remain. I promise you, this book is worth your time.
Monday, July 02, 2012
Saturday's Playlist
"The going water and the gone..." This is the way the world revealed itself to me on a warm weekend night.
1. Melissa Etheridge, "Angels Would Fall"
2. Tori Amos, "Happy Phantom"
3. Stevie Nicks, "Edge of Seventeen"
4. Kim Wilde, "You Keep Me Hangin' On"
5. Oh Susanna, "You'll Always Be"
6. Eurythmics, "Sex Crime"
7. Tears for Fears, "Mad World"
8. Lady Gaga, "Poker Face"
9. Hawksley Workman, "Smoke Baby"
10. Robbie Robertson, "Somewhere Down the Crazy River"
11. U2, "With or Without You"
12. Aerosmith, "Remember (Walking in the Sand)"
13. U2, "Hawkmoon 269"
14. Suzanne Vega, "Marlene on the Wall"
15. Kate Bush, "Leave It Open"
Saturday, June 30, 2012
My Five-Star Bookshelf, Part Seven
Garret Freymann-Weyr, Stay with Me
There is absolutely no reason this book should be one of my
favourites. It's a YA novel about an exceptionally privileged daughter of an
exceptional family, the kind of people I would not know in my real life. But
this book is written sensitively and beautifully, and tackles issues not commonly
discussed in this genre.
After Leila's sister kills herself, Leila tries to heal from
the loss. Her healing is complicated by the unique way she perceives the world
because of a learning disability. Leila eventually begins a relationship with
someone significantly older than herself, a troubling decision for some people
around her (and for many readers). Through this journey, she discovers more
about who she is, why people leave us, why love matters, and how she can go on. I found it a
poignant, touching story.
Garret Freymann-Weyr writes YA novels about subjects and
from perspectives that most of us don't consider; I think this point is one of
the reasons I like Stay with Me. Another reviewer describes the book as "challenging,
strange, intelligent" and these words too explain why I was so deeply
moved by it. This book may sneak up on you; trust it, let it reveal itself to
you, and you may enjoy the experience as much as I did.
Monday, June 18, 2012
My Five-Star Bookshelf, Part Six
Timothy Findley, Famous Last Words
One of my favourite Canadian writers. A character imagined
by an important Modernist poet. Combine the two and you have a fascinating and
beautiful literary thriller about World War Two, the British Crown, and
fascism. This is how history might have been, and the idea is chilling.
I read this novel between my third and fourth years of
university. At that point, I was just beginning my serious study of Modernist
poetry and knew little of Ezra Pound. Earlier that year I had read Not Wanted
on the Voyage, after another student gave a presentation on it in one of our
seminars. (That subsequently became one of my mother's favourite books.) Suddenly I was on a Timothy Findley roll, reading everything of Findley's
I could get my hands on. Famous Last Words stands out for me, though, for its powerful
images and curious imagining.
Some of Findley's work is overblown. Some of his novels are profoundly
bleak. I didn't really care for The Wars, and there is one novel of Findley's that I still haven't read. (And I should acknowledge really enjoying his short fiction and his memoirs.) But this novel (along with The Piano-Man's Daughter, which should also
be on this list) worked perfectly for me.
Wednesday, June 13, 2012
My Five-Star Bookshelf, Part Five
Terry Eagleton, Literary Theory: An Introduction
It was with the reading of this book that I grew up
intellectually.
Terry Eagleton is an astonishing critic. An inspired Marxist
and breath-taking intellectual, he writes incisively and clearly about
literature — text — as it affects our lived reality. You may think literature
doesn't affect your lived reality. You are wrong, and Terry Eagleton will
explain why — definitively, authoritatively.
The discipline of English — the realm that has held my conscious
attention for nearly thirty years, and likely much longer than that at an
unconscious level — is a construct. Prior to the late nineteenth century, the
idea of seriously studying English — the poor man's classics — was laughable.
Within a few decades — and here I paraphrase Eagleton — the idea of not studying
English was laughable. What the construction of English as a discipline has
meant, and what emerges from the way that discipline understands and talks
about texts, affects our political economy in far-reaching, profound ways that
I am still discovering. A lifetime of potential scholarship has sprung, in
part, from this book.
As undergraduates in Honours English, we were required to
take a fourth-year seminar in literary theory. For many of us, this course was
a slog. Week after week after dreary week, we met to discuss yet another
theorist, yet another theory; for many of my classmates — and for me at the time
— this seminar was simply a requirement to fulfill. Looking back, though, I
recognize how important literary theory has been to my academic work and even
to my professional work. Today I am grateful I took that seminar, and even
moreso that I discovered Literary Theory: An Introduction a few years later. Its twenty-fifth–anniversary edition was published a few years ago, so others too must feel it is a significant book.
With my doctorate finally completed, I can point to this
book as one that truly changed my life.
Friday, June 08, 2012
My Five-Star Bookshelf, Part Four
Roddy Doyle, A Star Called Henry
Do most people remember the circumstances of their first
time reading a book that changed their lives? I read this one on a houseboat vacation
in northern Saskatchewan, and despite the spectacular scenery and astonishing
late-summer weather, I was captivated by this book.
A Star Called Henry is a phenomenally engaging retelling of
recent Irish history, narrated by
one of the most outrageous and compelling characters in modern fiction. I adore
Henry Smart! Absolutely larger than life, he is a prodigious liar, a smashing ladies'
man, a dubious hero, and the owner of an unforgettable narrative style. Once
you've met Henry, you will never forget him — and you may fall in love with him.
Some of my favourite literature endures for me because of
the characters. As they do for many people, memorable characters — like Samuel Hamilton
in East of Eden or Amanda Ziller in Another Roadside Attraction — feel real
to me, like people I've known. Henry Smart is someone I'd likely be terrified
to meet but would love to know. He is surrounded by other quirky and fierce personalities that make him shine all the brighter. And this book has even more: romance, adventure, tragedy, history... It is a rollicking novel that will make you laugh aloud and may move you to tears.
This book changed my life with its reach, its
shimmer, and its point of view. It inspired me to remember my love of reading, writing,
and learning. And perhaps to ride my bicycle more often.
If you enjoy A Star Called Henry, there are two more books
featuring Henry Smart: Oh, Play That Thing! and The Dead Republic (another book
I loved, although it didn't make my five-star list). I hope you'll read them
all.
Tuesday, June 05, 2012
My Five-Star Bookshelf, Part Three
Judy Blume, Tiger Eyes
It seems that most girls of my generation read at least one
Judy Blume novel. Tiger Eyes wasn't the most popular choice, though; Forever...
generally was, with its explicit language, discussion of sexuality, and sometimes-comical
references to anatomy. (Of course, there was also Are You There, God? It's Me,
Margaret. But that's a different story...) And while Forever... is, for its own many reasons, an important
novel, Tiger Eyes really changed my adolescent life.
Tiger Eyes is the story of Davey, whose father is murdered during
a corner-store robbery. Her mother moves the family to New Mexico, where Davey
tries to reintegrate into school and "normal" life. She starts
spending time in the nearby canyon, where she meets Wolf, a young Hispanic man;
she also starts volunteering in a hospital, where she meets a variety of
patients. With these relationships, Davey begins to work through the grief,
anger, and guilt surrounding her father's killing.
This is absolutely a young-adult novel: it deals extensively
with issues of identity, sexuality, and individuation. It also persists for me
in ways that other Blume books did not. The setting in Los Alamos allows the
author to contrast Davey's personal emotional realm with the larger issues
associated with nuclear weapons and the military–industrial complex. However,
it is Davey's outsider status that I responded to most, and in particular I
drew hope from her fraught relationship with Wolf. The tiger's eye stone at the
centre of that relationship became a poignant, personal symbol for me.
There is much about this book that is forgettable. Some of
the family by-play is quite silly relative to the introspection of Davey's
moments in the canyon, and some of the themes are too much of the moment (e.g.,
the slogan "A woman needs a man like a fish needs a bicycle"). But
for me, being able to identify with the general experience of alienation and
grief (even through very different circumstances) was important to getting
through some difficult moments of growing up. I hope everyone who needed books to
help them through growing up found a book like this one.
Sunday, June 03, 2012
My Five-Star Bookshelf, Part Two
Margaret Atwood, The Handmaid's Tale
Those of you who know me well know that I normally read only
hand-picked, highly recommended Speculative Fiction. For whatever reason, very
little under the umbrella of this genre appeals to me. The Handmaid's Tale,
however, is a speculative fiction that I would recommend to anyone. And,
regrettably, as the years go by, elements of Atwood's imagined world are
realized in our own world more and more frequently.
The brief plot summary is this: much of the United States,
now called Gilead, has been taken over by extreme Christian fundamentalists. Women's
rights (along with the rights of non-whites, gays and lesbians, and other
people identified as undesirables by the leaders of Gilead) have been quashed,
and a caste system has emerged among women, due to widespread infertility as a
result of environmental toxins. The story of the regime change is told by a
handmaid now named Offred; through her telling we learn about what led to the
change, how life continues under the new regime, and what potential exists for resistance
under fanatical rulers. The novel is exquisitely written, rich with word play
and images that linger.
I read this book in my first year of university. I bought it
one Saturday afternoon, started reading it as soon as I got home, and did not
move from my seat until I finished it about ten hours later. It was completely
transfixing, particularly for a reader who did know many of the conventions of
the genre.
Then again, the genre is to some degree irrelevant in this
text. There are feminist themes; there is political critique; there are
questions about religion and ritual; there are questions about the construction
of class, order, and power. But most importantly, Atwood was a poet before she
turned to novel-writing, and language play — serious work in this dystopian
world — forms the core of the text. This book opened my sixteen-year-old eyes
to the potential of contemporary fiction; by the following year, I had changed my
faculty and major, and started on the trajectory that has brought me to today.
I have re-read this book several times, and it always
impresses and frightens me. An essential text in my personal canon.
***
Margaret Atwood, The Blind Assassin
Some fifteen years after first reading The Handmaid's Tale, I
read The Blind Assassin. This is a densely layered story within a story within
a story. Once again, I read this text very quickly, although not completely in
one sitting, as the structure of my life no longer permits such luxuries. It
is, however, transfixing to peel back the layers of this telling and observe
how intricately structured and clever it is.
What does it mean to write? Whose truth is true? How do we
go on when what we believe is revealed to be a lie? These are some of the
questions raised by this novel, told in retrospective pieces by Iris, now an
elderly woman. Her life has been marked by fame and loss, power and intrigue;
at the end of her life, she has decided to set her story straight, thereby
overturning decades of "knowing" and the comfort of conformity. Like
many of Atwood's strong woman characters, Iris is complicated, contrary, sometimes cruel, sometimes disturbing. And then there is the
book at the centre of the novel, the science fiction text "The Blind
Assassin." From the question of what it means to write, we are also invited
to ask what it means to read. The art of creation is never innocent, and it is
particularly troubled in this intersection of texts, lives, and lives-as-texts.
I believe I respond to this book particularly because of the
period it evokes — I still love the Modernists! But there is so much going on in
this text: mystery, betrayal, love, violence, courage, and, as always, Atwood's sumptuous
writing. The book rewards re-reading, and as I write this about I'm thinking
of reading the book again. While it is a very different experience from that of
reading The Handmaid's Tale, The Blind Assassin will captivate, frustrate, and unsettle
you. The feeling of this book remains with me. I hope you will experience it,
too!
Saturday, June 02, 2012
My Five-Star Bookshelf, Part One
I am a devoted fan of LibraryThing (LT). Other people check
their Facebooks daily; I check LT. I have more than three thousand books listed
on LT at present, with more added every week. If you love books, LT is a great
place to catalogue them, talk about them, learn about them, and share them with
others.
On my LT profile, I've explained how I rate books, noting
that a five-star book is one that "changed my life." So I've decided,
as a writing exercise, to discuss the twenty-nine books (to date) that I've rated
at five stars. Over the coming weeks, I will post a brief and personal book
talk for each of the titles on my five-star list. I am posting them in alphabetical
order by author last name, not in chronological order of reading.
As a disclaimer, I would note that my list is, not
unexpectedly, idiosyncratic and strongly Canadian. I'm certainly interested to
know what you think about these books, too, and if you haven't read some of
them, I strongly encourage you to do so.
Happy reading!
***
Carmen Aguirre, Something Fierce
I am delighted to have read this book long before it was the
Canada Reads 2012 winner. I learned about this book from hearing a tiny excerpt
from Aguirre's play, The Refugee Hotel, on CBC. A short time later, I read a
review of Something Fierce and ordered the book immediately (despite that the
review was negative). I am so glad I read this book; reading it was a transformative
experience.
Something Fierce is a memoir of resisting the Pinochet military
dictatorship, told through the eyes of a child and young woman. Aguirre is the
daughter of Chilean revolutionaries and eventually worked for the resistance herself.
Her story is astonishing. She describes what her family went through to escape
Chile, how her family members and friends were tortured for their beliefs, how
her family lived in exile for years, how she attempted to live as a
"typical" teen, her work in the resistance, and how she decided to
continue the fight for social justice in South America and in Canada.
You may not agree with her politics (I do), but Aguirre
writes with such passion, integrity, and courage that it is impossible not to
be moved by her book. The people are real; some of their stories are heart breaking.
The telling reveals how violence, treachery, and injustice work in ways both large
and subtle. Yet moments of terror, paranoia, frustration, and anguish are relieved
by moments of humour, beauty, and joy. The ending is not happy, but it is
hopeful. This book may change the way you think about all we in Canada take for
granted. I hope you will read it.
And by the way, the published script of The Refugee Hotel is
also very good.
Friday, April 27, 2012
Lest we remember
I love this article on the federal Conservative government's sense of history.
Thank goodness there are still a few sensible journalists on the Hill.
L
Thursday, April 19, 2012
Ten days to go!
Here's what I am ruminating over.
Hmm.
Celtic Cross:
Significator: Queen of Cups
Theme of reading: 8 Swords: "damned if you do; damned if you don't"
Crosses (for or against): 10 Swords: "the worst has been done"
The future: 7 Swords: "be on your guard" (thievery)
The foundation: Justice: "excesses have consequences"
What precedes it: 1 Pentacles: "effort for prosperity"
What is to come: 1 Swords: "the mind awakening for new challenges"
Immediacy (effect on significator): High Priestess: "take time to listen to inner voice"
Context: Page of Cups: "matters of the heart"
Hopes and fears: Sun: "day in the sun"
Outcome of the reading: 6 Cups: "a known joy"
Hmm.
Tuesday, April 10, 2012
But not for me
So, if I needed another reason not to vote Tory in the upcoming election, here it is.
This story announces that the Tories can promise $650 million to certain Calgary universities, but not to Edmonton universities.
Huh. I guess we're already too smart up in here in Edmonton. Certainly too smart to vote PC again, anyway.
Anything else you'd like to do to shoot yourself in the foot, Ms Redford?
This story announces that the Tories can promise $650 million to certain Calgary universities, but not to Edmonton universities.
Huh. I guess we're already too smart up in here in Edmonton. Certainly too smart to vote PC again, anyway.
Anything else you'd like to do to shoot yourself in the foot, Ms Redford?
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