Wednesday, July 01, 2020
Halfway check in
Greetings! For those celebrating, Happy Canada Day!
Today my iTunes records that I have 4,460 (out of 17,552) tracks unplayed. So I guess the lockdown has been good for something.
My reading isn't quite as advanced as my listening, but I've been enjoying lots of poetry lately. Also Miss Fisher mysteries (they were novels first!).
Wishing you happiness today and always. Today is a great day for practising gratitude.
Monday, June 15, 2020
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Tuesday, May 12, 2020
Listing slightly
Hello! Welcome to May. Much like April, but with more sunlight.
List-based challenges are popular right now, and most of them are
uninteresting to me. Then someone started the “30-Day Song Challenge” on
Twitter, and that felt like something I could pursue. So here goes ...
A song you like with a colour in the title: “Purple Rain” by Prince and “Bitterblue” by Cat StevensA song you like with a number in the title: “17 Days” by PrinceA song that reminds you of summertime: “Summer in the City” by the Lovin’ SpoonfulA song that reminds you of someone you’d rather forget: “Babe” by StyxA song that needs to be played loud: “Girl Anachronism” by Dresden DollsA song that makes you want to dance: “Dance Apocalyptic” by Janelle MonaeA song to drive to: “Carry On Wayward Son” by KansasA song about drugs or alcohol: “Burn It to the Ground” by NickelbackA song that makes you happy: “Burning Bridge” by Kate BushA song that makes you sad: “And So Is Love” by Kate Bush and “Hey Jupiter” by Tori Amos and “Empty Garden” by Elton John and ...A song you never get tired of: “You’re My Best Friend” by Queen”A song from your preteen years: “Mickey” by Toni BasilA song you like from the 70s: “Whenever I Call You Friend” by Kenny Loggins with Stevie NicksA song you’d love to be played at your wedding: n/aA song you like that’s a cover: “Hush” by Deep PurpleA song that’s a classic favourite: “Hey Jude” by the BeatlesA song you’d sing a duet with someone on karaoke: n/aA song from the year you were born: “Hair” by the Cowsills and “These Eyes” by the Guess WhoA song that makes you think about life: “Suspended in Gaffa” by Kate BushA song that has many meanings to you: “Mad World” by Tears for FearsA song you like with a person’s name in the title: “Marlene on the Wall” by Suzanne VegaA song that moves you forward: “Never” by HeartA song you think everybody should listen to: “The Boxer” by Simon and GarfunkelA song by a band you wish were still together: “This Wheel’s on Fire” by Siouxsie and the BansheesA song you like by an artist no longer living: “I Got a Name” by Jim CroceA song that makes you want to fall in love: “Sweet Dreams” by Air SupplyA song that breaks your heart: “Every Time I See Your Picture” by LubaA song by an artist whose voice you love: “Blue Moon with Heartache” by Rosanne CashA song you remember from your childhood: “I’s the B’y”A song that reminds you of yourself: “Music” by Cat Stevens
What you see here is one version of the challenge. In a different
month, I would likely choose different songs. This version seems a little 80s
heavy. I do like that many songs could fit into multiple categories.
What would your 30-Day Song Challenge include?
Thursday, April 23, 2020
Not long gone
Grades are due in a week and I'm struggling to get out of bed on any given morning, so what better time to start scanning some old old old scrapbook material? Exactly.
I found the image below in a folder of pages torn out from magazines in the early 1980s — magazines like 16 and Tiger Beat and People. This particular page is from Creem — remember that? Well.
I was trying to imagine where a page like this would be published in 2020. Surely we live in a kinder, less sexist time now. (Seriously! Read those image captions.) But B says no.
Anyway. Whether we're more enlightened or not now, this is an interesting artifact. Maybe I'll post some others. What's turned out to be most amusing about this project is not the pages I saved but their versos — all the ads from the 80s, prices, products, images, styles ... So. Much. Visual. Culture. And I have the soundtrack to support it.
Laters!
Thursday, April 02, 2020
No fooling
Good morning!
The sun is rising gloriously despite an air temperature of minus twenty, so the world does in fact continue to turn. We will get through this together — although it is a kind of togetherness apart.
Anyway. You might have been waiting breathlessly to know how my music library was faring at the end of the first quarter of this bizarre year. Well, the bizarreness of the year has played to my advantage: I have listened to nearly half the tracks in my iTunes library so far. At midnight on 31 March, 9,861 tracks were unplayed (of 17,465). Listening to music for twelve hours a day means we go through a lot of tracks quickly.
Of course, some of those tracks have been played repeatedly, too, and the music in my Top 25 would surprise no one who has been paying attention over the years. Though maybe the lack of bus commuting and bicycling will eventually change that, too.
Back to your daily day now. And as John Irving urges us, keep passing the open windows.
Saturday, March 07, 2020
Like forty years ago
Hello again,
Still procrastinating. Here's a photo from the very late 1970s, taken in my grandmother's kitchen in St. Albert.
I honestly wonder whether photos from the 1960s and 1970s (and later, I suppose) degrade with age. Or is it simply that my parents were truly terrible photo-takers? This photo lived on my mother's bulletin board in her kitchen for years.
Photographs are taking on an increasingly important place in my life as my memories became fainter and are overwritten by memories of memories and conversations about memories. In this image I can refresh my sense of that house, that era — details that feel scarce after so much time.
Still procrastinating. Here's a photo from the very late 1970s, taken in my grandmother's kitchen in St. Albert.
I honestly wonder whether photos from the 1960s and 1970s (and later, I suppose) degrade with age. Or is it simply that my parents were truly terrible photo-takers? This photo lived on my mother's bulletin board in her kitchen for years.
Photographs are taking on an increasingly important place in my life as my memories became fainter and are overwritten by memories of memories and conversations about memories. In this image I can refresh my sense of that house, that era — details that feel scarce after so much time.
Sunday, March 01, 2020
Marching forward
Hello again!
Just a quick update re stats because ... well, why not? And I'm procrastinating rather than proofreading.
Thanks to the extra day in February, I listened to a few dozen more songs yesterday and can now report that I have listened to almost one-third of the tracks in my iTunes library. So far I've played through about 5,150 songs. Of those, more than 500 have been played more than once. So, once again, statistically speaking, I am on the path to listening to all of my iTunes library before December. And yet history shows it's unlikely that will happen.
Anyway. The sun is returning and the sky is blue, so let us rejoice while we may.
Saturday, February 29, 2020
Theatre Unseen
Hello!
Last Friday night B and I went to see The Invisible, a play presented by Catalyst Theatre. It is a dramatization of untold stories about women saboteurs in World War Two — as a musical. Here's the set (we had excellent seats!):
I enjoyed this play. Heroism in World War Two tends to be masculinized; representations of women who fought back against the Nazis are exceeding rare. The story is serious but is told with light and localized touches, which made the play feel highly topical. I would see it again and would definitely recommend it to anyone interested in women, the agents of ungentlemanly warfare, or musical theatre — but it closed in Edmonton last weekend. Still, a lovely night out!
(And if this play's not for you, perhaps consider As You Like It, which is running on the Citadel's main stage right now...)
Tuesday, February 04, 2020
Knew you were waiting
So, it's February and we've been through Groundhog's Day and the Superb Owl (lol) already. Whoops.
Well, without further delay, here's the information you've been waiting for: by the end of the January, I had played more than 2,800 songs in iTunes, putting me handily on the way toward listening to all my iTunes tracks by the end of the year. And yet somehow I suspect I won't. (I also added a few dozen songs to my library in January. Eeeks!)
My most-played track in January was "Know Your Rights" by the Clash. As they say, it's never too late to have a happy childhood.
And incidentally, the duet I reference in the title of today's post is a sweet one. Go listen to it now!
Laters!
Wednesday, January 01, 2020
With Renewed Clarity: 2019 in Review
Happy
New Year! I hope that your final day of 2019 was bright and that you’re looking
forward to a better year starting today. I know I am.
And
now, without further ado, my annual review of books and music.
The
Textual World
Without
question, 2019 was the worst year I’ve had in reading since I’ve been keeping
track — and possibly ever. If it were not for reading children’s novels for academic
purposes, I doubt I would even have cracked one hundred books. As it is, my
total is dismal: 116. Here’s the breakdown:
Books
by women: 78
Books
by men: 35
Mixed/Unstated:
3
For
the first four months of the year, most of what I read was middle-grade or YA,
in support of the seminar I was teaching. No seminar this term, and the
publication I’ve been reviewing for since 2013 has shuttered, so who knows what
I’ll read this year.
I
read limited poetry but absolutely loved Kath MacLean’s Translating Air
and Emilia Danielewska’s Paper Caskets. I continued to read anything
John Scalzi published, and through his endorsement read Mary-Robinette Kowal’s Calculating
Stars works — immensely satisfying SFF. I stumbled on a quirky cozy mystery
series by Leigh Perry: preposterous in its premise, but spot on in its details
about the life of contract faculty. The most unusual book I read was Bibliophile
by Jane Mount, a book about loving books, embellished by art representing book
spines. If you’re a bibliophile, it’s sure to speak to you.
Sadly,
my own book was not printed in 2019 but should be available in the first quarter
of 2020. Fingers crossed!
The
Aural World
Well.
After a second year of intentionally listening to music as albums rather than
as singles, I can see some changes in my listening habits. All the dance
classes I’m taking are also affecting what I listen to — as are sessions on the
bike. But comfort listening still dominates my list. Unsurprising, given the
year that was — and, more granularly, given my ongoing experience of bus
commuting. Here are my top tracks:
“Not
About You” - Haiku Hands
“Dance
Apocalyptic” - Janelle MonĂ¡e
“Golubka”
- Vopli Vidopliassova with Amarilyo
“Sueltala”
- Jorge Luis Chacin
“You’re
My Best Friend” - Queen
“Whenever,
Wherever” - Shakira
“Wash
and Set” - Leikeli47
“Burning
Bridge” - Kate Bush
“I’m
So Excited” - Pointer Sisters
“Voicemail
for Jill” - Amanda Palmer
“Hot-n-Fun”
- N.E.R.D (feat. Nelly Furtado)
“Take
a Chance on Me” - ABBA
“Brand
New Lover” - Dead or Alive [single edit]
“Sarah”
- Sarah Slean
“Summer
Night City” - ABBA
“Long
Train Runnin’” - The Doobie Brothers
“An
Everlasting Love” - Andy Gibb
“Hungry
Like the Wolf” - Duran Duran
“Come
Alive (War of the Roses)” - Janelle MonĂ¡e
“Dreams”
- Brandi Carlile
“Samson”
- Regina Spektor
“Sky
Full of Song” - Florence and the Machine
“Salsa
Caliente” - Grupo Bip
“Sweet
Dreams” - Air Supply [album edit]
“Moderation”
- Florence and the Machine
“Venus
Fly” - Grimes with Janelle MonĂ¡e
“I’m
Your Baby Tonight” - Whitney Houston
“Tiny
Thing” - Jenson Interceptor
“Let
Go the Line” - Max Webster
“Con
Calma” - Daddy Yankee feat. Snow
Two
shoutouts here: the glorious Janelle MonĂ¡e and the incomparable Amanda Palmer. You
may recall that my birthday present last year was a pair of tickets to see AFP
in concert while I was in Vancouver for Congress. I went with my research
assistant and friend, Rebecca; it was a staggeringly impressive concert. I
discovered Janelle MonĂ¡e in a more roundabout way but quickly embraced her — I
played the Dirty Computer album all the way through twenty-six times. Expect
to see more from both performers on future lists.
Meanwhile,
in my ongoing quest toward completeness, I managed to play about 15,000 of some
17,250 tracks in my library, including every track tagged “Holiday” (meaning
the household was subjected to A LOT of Christmas music this year). Just over 1900
tracks received at least five plays.
So
that’s me. What caught your ears and eyes in 2019?
Saturday, December 28, 2019
1980s Victoriana
Greetings! It's nearly time for my annual state of text consumption post, but before we get to that, here's a quick retrospectacle of me in Victoria.
1. Dallas Road/Strait of Juan de Fuca, August 1987
2. Tofino, August 1989 (with bonus sand cat!)
3. Beacon Hill Park, probably 1987
I'm looking at photos frequently lately. Maudlin? Not exactly. I prefer proactive.
More soon!
Saturday, December 07, 2019
Turning around
Last night B and I went to see Revolt, She Said. Revolt Again. A play by Alice Birch, it presents a series of vignettes about the way women experience the world of emotional labour, constant sexualization, gendered violence, and shaming. It was strikingly presented by Studio Theatre at the University of Alberta.
This image was taken as the lights came down at the opening. There was no intermission. The wings are open and, as you can see, there were no curtains. The actors could be seen in the wings changing costumes between one scene and the next, and as the audience was filing in, the actors were speaking, singing, chanting, and shouting. Quite avant-garde and provocative. I loved it! (And two of the set-change songs were by Amanda Palmer/Dresden Dolls — extra fun for me!)
It was not my intention to see this play on the thirtieth anniversary of the Montreal Massacre, but there it is. A fitting tribute to a day of remembrance. I'm so glad to have seen this play, and I hope many, many more people see it, talk about it, think about it — and act on those thoughts.
Saturday, October 26, 2019
Time to roll this one out
When I defended my dissertation, I included a
long quotation that I eventually began to regret including because it felt excessive. After
the last few days, however, I think maybe it's not so excessive after all. Here it is:
Exceptionalism, huh. I love my province but not its cultural ideas.
[Alberta is] the noisiest province in English-speaking Canada. It is the tempestuous — and slightly smaller — brother or sister who is not going to be hushed, thank you very much. It has money in its pockets and it's going to make its opinions heard. If it loses the money, it's probably your fault. And it will get it back, and more, and you'll probably want some when that happens. Significantly, it will share its good fortune. It is headstrong but generous, and it does care about others in the family. And remember, it will pipe up, uninvited and unrepresentative though its message may be, so take with a grain of salt its claim to represent the entire West. (Gerald Friesen, "Defining the Prairies," 22)
Exceptionalism, huh. I love my province but not its cultural ideas.
Tuesday, October 22, 2019
Images of a simpler time
Hello!
Canada has survived its election more or less intact. So there's that to be grateful for.
Meanwhile, here are some images of a simpler time.
The first is my grade three class photo. It's amusing how little I've changed.
The second was taken by my cousin Wendy. She took many pictures of my brother and me while she was doing a post-secondary credential in photography. I remember Wendy explaining why she preferred to take pictures of the snow after the school kids had walked, run, and played all over it.
The world was likely no more desperate then than it is now, but life through the eyes of a child was simpler. Perhaps I can hold on to some childlike gentleness today.
Canada has survived its election more or less intact. So there's that to be grateful for.
Meanwhile, here are some images of a simpler time.
The first is my grade three class photo. It's amusing how little I've changed.
The second was taken by my cousin Wendy. She took many pictures of my brother and me while she was doing a post-secondary credential in photography. I remember Wendy explaining why she preferred to take pictures of the snow after the school kids had walked, run, and played all over it.
The world was likely no more desperate then than it is now, but life through the eyes of a child was simpler. Perhaps I can hold on to some childlike gentleness today.
Sunday, August 11, 2019
Looking around
Because I’ve
been meaning to do so for a while, today I finally pulled out my cards. A classic
spread without a question card. Beautifully balanced and absolutely
fascinating.
1 (Querent):
Queen of Swords: Cleverness. A woman of sadness. Happiness and great
unhappiness.
2 (Immediate
influences): 3 of Cups: Resolution. Comfort. Satisfaction.
3 (Goal/Desire):
Ace of Wands: Adventure. A new experience. Creation.
4 (Foundation):
2 of Swords: Balance. Agreement. Harmony.
5 (Recent past):
5 of Wands: Struggle. Strife. Conflict.
6 (Future influence):
Death: Drastic change. An ending or a new beginning. Abrupt departure.
7 (Attitude of
questioner): King of Cups: Opportunity. Advancement. Aspiration to a new
objective
or challenge.
8 (Environment/Energies):
Knight of Wands: Flight. Travel. Movement. Change of residence.
9 (Hopes and
fears): 2 of Pentacles: Difficulty in new areas. Worry. Embarrassment.
10 (Outcome): 7 of Pentacles: Growth. Progress. Attainment (especially material).
Certainly lots here for me to think about. Later!
Saturday, July 06, 2019
Almost bookends
Hello again! Here are more artifacts from the recent purging in the garage. I am very, very happy to have them. I also found a piece of paper I've been missing, and worried was gone for good, for almost a decade. So I'm grateful for (infrequent) cleaning, purging, and consolidating.
These two photos form an almost bookending of my elementary school experience.

Photo one is of my grade two class. The teacher, Mrs. Campbell, was also half-time my teacher in grade one (and beginning when I was in grade three, our school's teacher librarian). The principal of my school didn't believe in letting students skip a grade, but acknowledged that I was a troublesome presence in grade one, with its focus on learning letters and reading. So I spent mornings with the grade twos, then returned to grade one for afternoons. In retrospect, it would have been better if I'd been allowed to skip completely into grade two, because being in grade two Language Arts a second time amplified my "troublesome" issues with "distracting other students." But at that point we had a different principal, one who was firmly against skipping (and lots of other things, as I discovered later). Still, I was OK with this, because Mrs. Campbell was my favourite teacher to that point. She let me write stories and poems and read A LOT when I was finished my seat work.
Fast forward to 1980....

Photo two is of my grade six class. The teacher, Mr. Beechey, was also part-time my teacher in grade five: he taught social studies and phys ed (and spent the rest of his time that year teaching grade two — we were the first class that was entirely his). I was still a trouble-maker and we still had the anti-skipping principal, and at this point I had basically given up any interest in learning, but school was still much better than home, so I made the best of it. (Not so much in grade seven: I skipped A LOT in grades eight and nine.)
I like the continuity between these photos, as well as the obvious (and the subtle) changes. With the exception of one person, I do not know where any of the other grade sixes ended up (but have heard numerous rumours).
As for me ... well, the less said ...
Thursday, July 04, 2019
One night in Vancouver
At the beginning of June, at the end of the Congress of the Humanities and Social Sciences, I had the absolute pleasure of attending an Amanda Palmer concert at the Chan Centre on the UBC campus. The tickets were "the best birthday present ever" and I have to say they lived up to their billing.
The concert started a few minutes after 7:30 and continued (with a short intermission) until 11:30. I was spellbound for all of it. She could have played for another hour or longer (except the venue wouldn't permit that). Wow! AFP delivers performance as art.
Amanda's current tour is organized the experience of abortion. As she explores this topic from a deeply personal perspective, she tells numerous stories about her life. One of the themes that emerges from her stories is radical empathy, or radical compassion. At one point she talked about the idea that there are people for whom our society argues we should not feel empathy or compassion. This point has resonated for me. I think our society is experiencing a crisis of empathy. And since we know how a loss of empathy can play out, from any number of events of the twentieth century, we need to take this crisis serious — or even just acknowledge that it's a crisis.
This concert impressed me on so many levels. I am grateful to have had the chance to attend it (and with my research assistant, Rebecca, as a bonus!). Amanda is not for everyone — but she is for me, and I am for her.
(Oh yeah, I tried to take actual photos of AFP, but with my phone they all turned out fuzzy. Ah well ...)
Monday, June 24, 2019
Photographic evidence
Hello again!
Another photographic post today, this one from almost forty years ago.
You likely know that my current academic research project involves exploring the adult lives of gifted girls. One of the dismaying findings in the research (and in the work of earlier researchers) is that most of our participants disavow their giftedness as adults. The reasons for this, in the research literature, at least, are complicated; but the sentiment itself makes me very sad.
Here, however, is a photograph of some gifted kids in late 1980. This was the enrichment class I attended one day a week. The year this photo was taken, the class was the largest it had ever been. Happily, I re-met a few of the students after junior high, although we lost touch again after high school (with the exception of Mark, who is now a Facebook friend). I particularly miss Jodie, whose education was supposed to end when she left high school; I hope that wasn't how things turned out for her, though.
Note that the class is fairly gender balanced and not completely white (although Edmonton overall was very, very white in 1980). There are also less visible markers of difference and inclusion in this group, which might contradict what earlier researchers have found about enrichment programming at large. Funding for this kind of education was eliminated in Alberta a few years later, and I am still grateful to have had several years of it. It made a positive difference for me.
Sunday, June 23, 2019
Outtake from the Ship of Fools documentary
Hello again,
It seems I have more to say in the summer. Huh.
For all kinds of reasons, I feel particularly happy about finding this picture, which wasn't exactly misplaced but was effectively forgotten. This is my dad and me (with hair henna'd by Body Shop — I really miss those packets!) at Cox Bay, near Tofino, BC, in August 1989.
Please put good thoughts into the universe today.
L xo
It seems I have more to say in the summer. Huh.
For all kinds of reasons, I feel particularly happy about finding this picture, which wasn't exactly misplaced but was effectively forgotten. This is my dad and me (with hair henna'd by Body Shop — I really miss those packets!) at Cox Bay, near Tofino, BC, in August 1989.
Please put good thoughts into the universe today.
L xo
Saturday, June 22, 2019
Outstanding in our field
My blog is more or less a collection of excuses for not writing. That's weirdly meta — but only inconsistently so.
Anyway.
The guys have been cleaning the garage in the process of building work spaces and storage. Many, many strange artifacts have been (re)discovered. This one is a picture of us in June or July 1998 in the Holes' garden in St. Albert.
Summer nights like this make winter in Alberta bearable. Looking forward to more of these soon — happy first full day of summer!
Anyway.
The guys have been cleaning the garage in the process of building work spaces and storage. Many, many strange artifacts have been (re)discovered. This one is a picture of us in June or July 1998 in the Holes' garden in St. Albert.
Summer nights like this make winter in Alberta bearable. Looking forward to more of these soon — happy first full day of summer!
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