Even more unnecessary stats

By the end of Monday, January 15, I had played through 59 complete albums on iTunes — roughly 40 hours of music. But my overall listening for the first two weeks of January had reached 4 days and 12 hours. I listen to a lot of music on Tuesdays and Thursdays and on weekends! Now to attack my reading habits ...

Dept of Unnecessary Stats

Seven days into the new year, my play count on iTunes was 827 songs. At that rate, I could run through my iTunes library three times in a year — but that's unlikely to happen.

Here's to week two.

The Textual Year That Was 2017

Happy New Year! Look at that: we survived 2017! If anyone had told me in advance what a year it would be — and all the sheer ridiculousness we’d live through as a globe — I could never have believed it. I’m somewhat cheered by the perspective of several people on Twitter: 2016 was the set-up, 2017 is the dark second act, and 2018 will be the happy resolution.

In the meantime, let’s get to the reason you’re here.

My Top 25 Songs on iTunes

“Whenever, Wherever” — Shakira

“An Everlasting Love” — Andy Gibb

“Venus Fly” — Grimes featuring Janelle Monáe

“Call Me Mother” — RuPaul

“Sarah” — Sarah Slean

“Not About You” — Haiku Hands

“Lovergirl” — Teena Marie

“Brand New Lover” (single edit) — Dead or Alive

“Kisses of Fire” — ABBA

“Hush” — Billy Joe Royal

“Someday” — LP

“Hard” — Rihanna featuring Jeezy

“Long Train Runnin’” — The Doobie Brothers

“The Man” — The Killers

“Take a Chance on Me” - ABBA

“Burning Bridge” — Kate Bush

“Let Go the Line” — Max Webster

“Dreams” - Brandi Carlile

“Running Up That Hill” Kate Bush

“You’re My Best Friend” - Queen

“Peace Train” - Cat Stevens

“Summer Night City” - ABBA

“The Boxer” - Simon & Garfunkel

“Kiss You All Over” (album edit) - Exile

“Tiny Thing” - Jenson Interceptor

If there were ever a year for comfort listening, this was it. Strangely, though, that’s not what the larger analysis of my play counts reveals. This list contains several songs that I didn’t own in 2016, and just below the top 25 are several other tracks that were new to me in 2017. So I am still consuming some new music, but old favourites definitely dominate.

In 2017 I deliberately played more albums through iTunes, particularly on my mobile phone, which contains a healthy assortment of albums as playlists. They’re useful during my commute to/from work, which continues to be by bus. Album-oriented listening also raised my overall play counts. Sure, “singles” dominate my top 25 list, but below the top 25 are many albums with multiple complete plays, including Rosanne Cash’s The River and the Thread (which I love love love); Styx’s Paradise Theater; several Simon & Garfunkel records; Joni Mitchell’s Court and Spark; Kate Bush’s Hounds of Love; Prince’s Dirty Mind; the Beatles’ Revolver and Rubber Soul; Cat Stevens’ Teaser and the Firecat; and Vivaldi’s The Four Seasons (as recorded by Nadja Salerno-Sonnenberg and the Orchestra of St. Luke's). And some ABBA records, of course (blush).

My iTunes library contains approximately 15,825 songs, 3,480 of which were unplayed by year’s end (21.99%). Most of the unplayed tracks are Xmas music, classical music, and free downloads. Even when one makes an intentional effort to play “new” (unplayed) tracks, 15,000+ tracks is a big list — more than 43 full days’ worth of listening. And most days I average about four hours of listening. So that math doesn’t work — especially given that my mobile phone is almost full, so adding more albums will prove a challenge.

Notably, I bought very few new CDs in 2017. I really enjoyed Lorde’s Melodrama, which took some effort to find as a physical disc. I ended up buying St. Vincent’s MASSEDUCTION directly from the iTunes store because I couldn’t find it as a physical disc. I did buy the special edition of Prince’s Purple Rain and will be looking for more releases from his estate. Not listening to the radio is really playing havoc with my consumption of new music, and new CDs in particular.

But the decrease in my musical consumption is nothing compared to what happened with me and books, so let’s get on to that. (Meanwhile, I’m resetting my play counts on iTunes to zero: let the counting resume!)

Books read in 2017: 121

By a large margin, this is my worst showing in all the years I’ve been keeping track of the books I’ve read. And I can’t entirely explain why that is so.

I reviewed many books in 2017 — in fact, about a quarter of my reading total comes from books I was asked to review. I also edited a healthy number of books, several of which won’t be published until 2018, when they’ll appear in my “read” count. But still.

Since Earl enjoys these stats, I’ll give a little more detail:

• 76 books by women authors

• 41 books by men authors

• 4 books with mixed authorship or anthologies

• 48 books by Canadian authors

• 166 books added on LibraryThing (for a total of 4633 books catalogued there)

Something I did intentionally this year was to read series. So I read N.K. Jemisin’s novels The Fifth Season and The Obelisk Gate (as well as a novella I didn’t count) — but haven’t yet read The Stone Sky yet (soon, soon). I read Timothy Zahn’s Night Train to Rigel and its four sequels. I re-read Rainbow Rowell’s Eleanor and Park (which I absolutely did not remember) and then read Fangirl and its companion Carry On. I read John Scalzi’s Old Man’s War and The Ghost Brigades, but didn’t get to the rest of the series yet (but I will). I tagged two more titles in Phyllis Reynolds Naylor’s Alice series, but also realized I’m done with that series and doubt I can even write about it academically — where I once saw freshness and liberalism, I now see repetition and conservatism. And I tagged two more titles in the Dear Canada series, but as far as I can tell, that series has ended. Too bad: it’s a great premise.

Something else I did intentionally was to broaden my knowledge of John Scalzi’s work. In addition to the OMW books, I read his collection Miniatures, his blog collections The Mallet of Loving Correction and Don’t Live for Your Obituary (both of which I devoured), his audio-to-print novella The Dispatcher, and his novel Lock In (as well as the documentary-style novella Unlocked, which I didn’t count — hmm, something illogical there). I really enjoy his writing and would strongly recommend Don’t Live for Your Obituary to anyone interested in understanding the practical realities of commercial writing and publishing. So I'll continue to read him (and follow him on Twitter) in 2018.

A further thing I did intentionally was to try to read some of the “it” books of 2017. I couldn’t bring myself to read most of them (yup, still a snob), but I did jump on Turtles All the Way Down (which I enjoyed), La Belle Sauvage (The Book of Dust) (which I loved), and The Hate U Give (which I found mediocre, but remember I read widely in this genre so didn’t find the book quite as groundbreaking as people who generally ignore YA did). I also read Rupi Kaur’s Milk and Honey and Lindy West’s Shrill, as well as Jonathan Safran Foer’s Here I Am (which I really admired but most people I know did not).

Here are a dozen books that impressed me this year:

• Art Lessons, Katherine Koller

• Coyote Blue, Christopher Moore (reminded me of early Tom Robbins, but I doubt it would be published today)

• The Goat, Anne Fleming (middle grade)

• Hag-Seed, Margaret Atwood

• The Handover, Elaine Dewar (probably the most important nonfiction I read in 2017)

• Hit the Ground Running, Alison Hughes (YA)

• I Am for You, Mieko Ouchi (play)

• Kat and Meg Conquer the World, Anna Priemaza (YA — set in Edmonton!)

• Scripting the Environment, Geo Takach

• Those Who Run in the Sky, Aviaq Johnston (YA)

• Uprooted, Naomi Novik

• Y Is for Yesterday, Sue Grafton (so sad to read about her passing)

For reasons that are complicated and boring, I tried not to borrow books from the library and tried instead to hew down my To Be Read bookcases. That intention was limitedly successful, but I did tag a few older books that I’ve been meaning to get to. Still, the growth of my library outpaced my reading — but that’s the joy of books, I think.

One more thing I did intentionally this year: read poetry. I re-read Mina Loy’s The Lost Lunar Beadeker and Sylvia Plath’s Ariel, and read a respectable stack of other poets, including a delightful volume by Robert Kroetsch. I will definitely continue this direction in 2018.

I have a stack of books to get through before the end of this week in order to teach successfully this term, so I’ll stop this and get to that now. Here’s to good reading in the year ahead!

**

Oops! I neglected to mention my favourite kids' book this year (because it was not part of my count): I Yam a Donkey by Cece Bell. Just thinking about it now makes me giggle. It's great! If you like grammar or kids' books, it's a must.

This is a photograph of me ...

... in London. With other people. Attending a conference.

The speaker is Angus Phillips, giving the opening plenary address at the Books, Publishing, and Libraries conference in July 2017.

I was there. And now I have evidence. Academics are all about evidence. lol.

That is all. Happy Wednesday!

Reading weather

On Thursday night I attended a book launch at Blue Lamp Books, which is a mystery bookstore in Edmonton. What a sweet place! I will be back.

The event was the Edmonton launch of Garry Ryan's newest novel, Matanzas. Also appearing was Janice MacDonald, who read from her new memoir, Confederation Drive (she's also a mystery writer, responsible for the Randy Craig series).

It was a special night, and I had a chance to talk with many people. So glad I went!

Shakespeare, who was in love a month ago

Argh. One may have taken on too much when one's catch-up post is a month behind. Sigh.

Anyway.

Back on September 26, we went to see Shakespeare in Love at the Citadel. It was quite good —  similar to the film in some respects, but with appropriate adjustments for live theatre. I didn't care for the acting of the actor who played Viola, but the other actors were more nuanced and the ensemble worked well together. I recommended it to a few people and was pleased to see the play well reviewed in most media.

It's been a few years since we went to the Citadel, and we've trimmed our budget for live entertainment generally, but here's a photo from the half, just to uphold tradition.

Here's hoping the world is a little calmer in November.

Badges I'll earn soon

Such a long time. But you know I've been writing elsewhere, right?

And reading. And thanks to the Lumberjanes (learn more here), I have new goals for sailing: badges! Here are two of the badges Lumberjanes can earn:

• I Had the Maritime of My Life
• Seas the Day

That is all.

The windmills of my mind

Last night as I was trying to fall asleep, I started thinking about a book I read when I was young. Then it became a distorted thing, like this.

A Child’s Treasury of Versus

“Good vs. Evil”

“Left vs. Right”

“Evolution vs. Creationism”

“Man vs. Woman”

“Man vs. Mouse”

“Protagonist vs. Nature”

“Dogs vs. Cats”

“Godzilla vs. King Kong”

“Rocky vs. Apollo Creed” ...

Well. I’m sure you see the pattern. And so I went off to dreamland.

Wrongfully Convicted

Well, hey. “I know it's out of fashion / And a trifle uncool” to persist in my Sixties ideals, but I do. And so today’s so-called Outrage Culture is really getting me down.

More and more often I find myself shutting down because the texts around me are actually baited traps, about which there can be little reasonable discourse. Those who speak know they are unarguably right; there is no need to listen to another perspective. There is no contingency; there is no provisionalism. So many of us just want to be offended; and so many others just want to offend.

This line of thinking reminded me of a now-trite Sixties concept, epitomized (mockingly) in Hair. Perhaps you remember these lines from the introduction to “My Conviction”:

I wish every mother and father

Would make a speech to their teenagers

And say, “Kids, be free, no guilt.

Be whoever you are, do whatever you want to do,

Just as long as you don't hurt anybody, right? Right.”

Our understanding of “don’t hurt anybody” is considerably more nuanced than it was back in 1968. I think most of us recognize today that many of our freedoms depend on someone else’s lack of freedoms, and fifty years ago the main beneficiaries of this ideal were white middle-class men. But still. We have learned something since then. Or have we?

Without becoming an apologist for anyone but myself, I really wish we could roll our attitudes back to an easier time. Because I am exhausted by outrage, and my compassion is beyond fatigued.

So this. Do what you want, and don’t hurt anyone else intentionally. Own what’s yours to own, and apologize when you make a mistake. As Desiderata, another text popular in the 1960s and 1970s, reminds us: “Strive to be happy.” Yeah. Just that.

Rediscovering my spine

I have a friend who sends me dozens of links each week. Most of them relate to women and feminism, books and libraries, or social progress. This week, as part of a bundle of International Women’s Day-related links, she sent me an article about a bookstore that, as a form of awareness raising, turned all man-authored titles spine in, leaving only woman-authored titles spine out. The description of the result is memorable: the shelves were “bleached into anonymity.” (You can read the article here.)

I remarked to Pat that, had I done the same thing, my shelves wouldn’t change very drastically because I read so much writing by women; and further, I predict that if she did the same thing, her shelves would be like mine. I don’t say this to be smug or superior; in fact, in my pursuit of graduate education, my reading habits have often worked against me — which I feel underscores the point of the bookstore’s action.

Every so often someone send me a list like “Have you read the top 100 books of the twentieth century?” or “How many of the world’s best books have you read?” — a complication of  “top books” that invites readers to tick off the titles they’ve read. Something I find illuminating about these lists is that I’ve rarely read more than a third of the books listed, and often significantly fewer than that. That's mainly because 1) I read a great deal of Canadian fiction and 2) I read predominantly female writers. Not exclusively, obviously, but the majority of fiction I read, even if I exclude the children’s and YA reading I’ve been doing lately, is written by women.

My exchange with Pat got me thinking, though. How many other women readers would this be true for? Pat is a little more than a decade older than I am, but she graduated from university the year I started. So I wonder whether she and I managed to study at the right moment so that we read women’s writing in balance with men’s writing, or even more than men’s writing. Will a moment like that ever exist again? Because in canonical literature and in popular publishing, men still dominate: men’s books are reviewed more often than women’s books are, male reviewers dominate the critical landscape, and women writers are still treated as anomalies when they win awards or write important, culture-changing books. They are also routinely dismissed for the topics they write about, for the opinions they hold, and for their readership.

The bookstore’s project was to represent gender inequality visually. But changing that inequality is a gigantic task. How do we even begin? Is it enough just to keep reading? Or is it time to speak out?
 

Arose by another name

Yeah yeah yeah. I know.

...

But I just read a thing in an email from a few weeks ago, in which I discovered all some of my secret names. And you can play too!

Here's my list.

Superhero name: Black Book
Soap opera name: Anne Veterans
Goth name: Black Emily
Rapper name: Lil Cookie

I know, right?

Here's the formula.

Your superhero name is the colour of your shirt plus the item to your right.
Your soap opera name is your middle name and the street you live on.
Your goth name is "Black" plus the name of one of your pets.
Your rapper name is "Lil" plus the last thing you ate.

Oh, the lulz.

Bonus for Earl: your Star Trek name: the first three letters of your last name, first two of your middle name, and the last two letters of your first name. (Oooh, that's an awesome name, Earl!)

Back to skulking ...

Divinyl

You cannot know how delighted I am to have my 45s back after their many years of wandering in the wilderness.

For the young'uns, this is a picture of coloured vinyl, specifically the domestic limited release of "Purple Rain" (backed with "God") in a picture sleeve:

Now to digitize ...

2016: The textual roundup

Well, here we are in 2017. Let’s be hopeful for the year to come; it’s likely to be difficult, but remember that humans are resilient and creative, and light will always assert itself against the dark.

As I, and now many friends, too, have made a tradition, here is my roundup of music and books from the last year.

Music: Top 40 Most Played

“Uptown Funk” - Mark Ronson feat. Bruno Mars

“Brand New Lover” (single edit) - Dead or Alive

“An Everlasting Love” - Andy Gibb

“Hard” - Rihanna feat. Jeezy

“Get Lucky” (Razihel remix) - Razihel

“Run the World (Girls)” (remix) - Beyoncé

“Long Train Runnin’” - The Doobie Brothers

“Tiny Thing” - Jenson Interceptor

“You’re My Best Friend” - Queen

“Let Go the Line” - Max Webster

“Someday” - LP

“Machete” - Amanda Palmer

“Shadow Dancing” - Andy Gibb

“Seven Year Ache” - Rosanne Cash

“The Love of a Woman” - Klaatu

“Kiss You All Over” (album edit) - Exile

“Shake Your Body (Down to the Ground)” - The Jacksons

“Whenever, Wherever” - Shakira

“Single Ladies (Put a Ring on It)” - Beyoncé

“Dreams” - Brandi Carlile

“Get Lucky” - Daft Punk

“Killer Queen” - Queen

“Take a Chance on Me” - ABBA

“Summer in the City” - Lovin’ Spoonful

“Love Runs Out” - OneRepublic

“Running Up That Hill” (album version) - Kate Bush

“I Love You” - Climax Blues Band

“Hungry Like the Wolf” - Duran Duran

“Damn I Wish I Was Your Lover” - Sophie B. Hawkins

“Run the World (Girls)” (album edit) - Beyoncé

“Samson” - Regina Spektor

“Burning Bridge” - Kate Bush

“Under Pressure” (single edit) - Queen and David Bowie

“Hush” - Deep Purple

“The Sound of Silence” - Disturbed

“Renegades of Funk” - Rage Against the Machine

“Magic Man” - Heart

“Moves Like Jagger” - Maroon 5

“Superstar” - Sonic Youth

“Fell in Love with a Girl” - The White Stripes

As always, many heart songs appear on this list, but also a good number of newer songs. It is impossible for me to keep track of all the new records being released in a year, but I do try to listen to some fairly current music. That said, commuting to work by bus has affected my listening habits. Perhaps next year’s tallies will make this change clearer.

As of today, using iTunes’ somewhat imperfect system, there are 15,131 tracks in my music library. That number was buttressed by the purchase of a few CDs last week. My library has also expanded thanks to Freegal, an online music service that allows me to download five tracks each week. But I definitely bought much less music in 2016 than in years previous.

My play counts have been reset once again, and we'll see what's what 365 days from now.

Books

Once again, I got nowhere near my 200-book goal, but I did reach 158 books. How did I ever read so much back in my pre-sabbatical days?

Some of the books that stood out for me in 2016 were these:

• 100 Days of Cree by Neal McLeod with Arok Wolvengrey

• Avid Reader by Robert Gottlieb

• One Child Reading by Margaret Mackey

• Station Eleven by Emily St. John Mandel

• Unspeakable Things by Laurie Penny

Much of my reading continues to be YA novels as I continue to grapple with themes of mothers and daughters and the reproduction of ideology. I really don’t know how other academics read and write so much. Just teaching — and teaching much less than I did pre-2011 — is sufficiently exhausting. But I’ll hope that I can keep reviewing for my CV; that adds quite a few books to my totals.

I’m listening to the start of 2017’s play counts as I type this, and I’m eager to get back to the book I’m reading, so I’ll stop here. As always, if there are books or albums you’d suggest I check out, please let me know.

Here's to a happy 2017! Cheers!

 

Rephrase this, I think ...

Despite that I enjoy more relaxed diction and phrasing in contemporary reporting, as an editor I feel someone should have given this sentence as second look:

On the reports that [Bradley Cooper and Irina Shayk] are expecting their first child, which came after Shayk killed it on the runway for Victoria's Secret Wednesday night.

Yes, I know what the writer meant, but still...

Or maybe it’s just me. I have been marking student writing nonstop for the last week ...

Standard deviation

Since returning from Victoria, we haven't been attending many performances. No theatre seasons, no dance shows, no symphony, etc. So last night was a big treat (for me, anyway) to hear All(Most) Jazz, a small jazz-based ensemble, performing at the Highlands United Church.

The halves were lovely. Some "winter" songs tucked amid well-known repertoire from musicals and the Great American Songbook. The show wrapped up with "Maybe This Christmas" by Ron Sexsmith and "I'll Be Seeing You," a sweet jazz standard featuring this line: "And when the night is new / I'll be looking at the moon / But I'll be seeing you."

All in all, the performances were fun, playful, and merry. Perfect for a November night that promises (threatens?) to bring winter along one of these days soon.

Vault of lost lyrics, chapter 201

The last few weeks have been tough on people, and even tougher times probably await us. The Pretenders’ Learning to Crawl was the first album I wanted to play last Wednesday, November 9, and this is one of the standout tracks from that still very solid — and angry — record.

**

"Middle of the Road" (Chrissie Hynde) as recorded by The Pretenders

The middle of the road is trying to find me

I'm standing in the middle of life with my plans behind me

Well, I got a smile for everyone I meet

As long as you don't try dragging my bay

Or dropping the bomb on my street

Now come on baby

Get in the road

Oh come on now

In the middle of the road, yeah

In the middle of the road you see the darnedest things

Like fat guys driving 'round in jeeps through the city

Wearing big diamond rings and silk suits

Past corrugated-tin shacks full up with kids

Man, I don't mean a Hampstead nursery

When you own a big chunk of the bloody Third World

The babies just come with the scenery

Oh come on baby

Get in the road

Oh come on now

In the middle of the road, yeah

The middle of the road is no private cul-de-sac

I can't get from the cab to the curb

Without some little jerk on my back

Don't harass me

Can't you tell

I'm going home

I'm tired as hell

I'm not the cat I used to be

I got a kid

I'm thirty-three, baby

Get in the road

Come on now

In the middle of the road

Yeah

Just because

I feel I need something funny and happy today, so ... this.

Courage, friends.

L
xx

How I Spent My Friday

Hey-o,

So, we're into the thick of the term already. Perhaps it's because I was out of the classroom for a year, but the term seems to be moving much faster than usual. (Or perhaps it is, as one of my colleagues recently observed, that my institution is creeping toward a thirteen-week term without acknowledging that it's doing so — this point feels accurate, actually.)

Anyway. On Friday, October 28, I spent the day at Pages Workshop Volume V at the Edmonton Public Library. This workshop is put on by a partnership of organizations including government, universities, and libraries. It was an excellent event, and I'm so glad I attended.

Here are some not particularly good photos of what I saw. (I should really make an effort not to sit at the back of the auditorium if I'm taking pictures.)
 

 
Morning keynote: Neal Wyatt. Neal is an academic, a writer, and a readers' advisory librarian. Her presentation was about reading and adaptation. She argued that we love stories so much that we are being swamped by adaptations and extensions of oral and written texts, to the point that many of us cannot disentangle some read texts from their adapted forms (e.g., Harry Potter). A fascinating talk!

Morning breakout session: Phyllis Steeves. Phyllis gave a powerful presentation on Indigenous literacy. She observed how easily the dominant culture may subsume the concept of Indigenous literacy — e.g., "reading the environment" — to strengthen its own sense of literacy and to diminish the specificity of Aboriginal knowing. I was so moved by this presentation and will be following up on Phyllis's research.

Afternoon panel: Beyond print. Marty Chan was the moderator for an interesting panel on oral storytelling, reading aloud, audiobooks, and videogame narratives. Are these variant forms of literacy or something else? How do these forms complement print literacy? Are we losing print literacy in favour of the aural or the visual? Some interesting questions raised.
 

Closing keynote: Margaret Mackey. The reason I attended this panel (and cancelled a class) was to hear Margaret speak about the concepts of post-literacy and literacy-plus. As I've said elsewhere, I am a tremendous fangirl for Margaret, and on Friday was fortunate to have the opportunity to talk with her one on one. Her presentation was brilliant and challenging. Of course now I have more reading to do. What a strong conclusion to an important conversation.

In short, it was eight hours well spent. I'm grateful to the organizations that hosted and sponsored this event, and will be watching for it again in 2018.

 

Vault of lost lyrics, chapter 166

I rediscovered this song by accident — hadn’t heard it for years, possibly decades. It’s sugary, sugary pop — and also gloriously, smooshily romantic. What girly girl could resist?

**

An Everlasting Love (Andy Gibb)

I've been here all your life

Watching your crying game

You were the heaven in my lonely world

And he was your sun and your rain

I was losing you before I ever held you tight

Before you ever held me in your arms

And I won't make you blue

And maybe an everlasting love will do

I've got an everlasting love

So tall, so wide, so high

Above the rumble of thunder down below

It's your love I need

It's the only show

And it's you on an everlasting dream

Can take us anywhere

All the tears are yesterday

We killed the pain

We blew away the memories of the tears we cried

And an everlasting love will never die

Take me out of the cold

Give me what I've waited for

If it's the pleasure of taking my heart that you need

Then it only makes me love you more

I was yours before the stars were born

And you were mine

I could have saved you all the pain you knew

And I won't make you cry

And maybe an everlasting love can try

I've got an everlasting love

So tall, so wide, so high

Above the rumble of thunder down below

It's your love I need

It's the only show

And it's you on an everlasting dream

Can take us anywhere

All the tears are yesterday

We killed the pain

We blew away the memories of the tears we cried

And an everlasting love will never die ...

[repeat chorus and fade] 

Vault of lost lyrics, chapter 23

Suzanne Vega is a fascinating singer-songwriter who writes wistful songs especially well. This is one of my favourites, not only because of the lyric but because of the delivery: so bouncy, lilting, and lurching, redirecting the listener’s attention from what the speaker is actually saying.

**

In Liverpool (Suzanne Vega)

In Liverpool

On Sunday

No traffic on the avenue

The light is pale and thin like you

No sound down

In this part of town

Except for the boy in the belfry

He's crazy

He's throwing himself

Down from the top of the tower

Like a hunchback in heaven

He's ringing the bells in the church

For the last half an hour

He sounds like he's missing something

Or someone that he knows he can't have now

And if he isn't

I certainly am

Homesick for a clock

That told the same time

Sometimes you made no sense to me

If you lie on the ground in somebody's arms

You'll probably swallow some of their history

And the boy in the belfry

He's crazy

He's throwing himself

Down from the top of the tower

Like a hunchback in heaven

He's ringing the bells in the church

For the last half an hour

He sounds like he's missing something

Or someone that he knows he can't have now

And if he isn't

I certainly am

I'll be the girl who sings for my supper

You'll be the monk whose forehead is high

He'll be the man who's already working

Spreading a memory all through the sky

In Liverpool

On Sunday

No reason to even remember you now

Except for the boy in the belfry

He's crazy

He's throwing himself

Down from the top of the tower

Like a hunchback in heaven

He's ringing the bells in the church

For the last half an hour

He sounds like he's missing something

Or someone that he knows he can't have now

And if he isn't

I certainly am

In Liverpool

In Liverpool