Music for Mark

A few years ago, a friend of mine was going through a very difficult period. He lost his mother, then his father, in the span of thirteen months, and then had some serious medical issues himself. To cheer him up — because we are both 80s kids — I sent him a mix CD with no track listing, so he had to play detective, something we both enjoy. I was particularly pleased with this mix and have embellished it just slightly in the last year. Perhaps you'd enjoy it too.

 

"Mowgli's Road" — Marina and the Diamonds

"Gobbledigook" — Sigur Rós

"Velvet Revolution" — Tori Amos

"Put Your Money Where Your Mouth Is" — Jet

"I Want You for Mine" — Michael Rault

"L'ours" — Tricot Machine

"Spinmeharder" (boot) — DJ Tripp

"Paper Shoes" — Hawksley Workman

"Salute Your Solution" — The Raconteurs

"Dude You Feel Electrical" — Shout Out Out Out Out

"This Wheel's On Fire" — Siouxsie & The Banshees

"You, Me and the Bourgeoisie" — The Submarines

"I Was Made for Loving You" — Kilt

"Booinlove" (boot demo) — DJ Tripp

"A.C.D.C." — Joan Jett and the Blackhearts

"Banditos" — The Refreshments

"Motorpsycho Nitemare" — Capt Nemo

"Jerusalem" — Dan Bern

"Love Ire & Song" — Frank Turner

"Sub su'a job" — Mad'moizèle Giraf

"Start Wearing Purple" — Gogol Bordello

"A Complete History of the Soviet Union, Through the Eyes of a Humble Worker" — Pig with the Face of a Boy

"Brave Sir Robin" — Brad Bradley and David Hyde Pierce (Spamalot)

"Float On" — Modest Mouse

I do love a well-crafted playlist!

Sailing, sailing

As we get ready for our trip north, here's an image from our circumnavigation of Vancouver Island in May 2015. This photo was taken at dinner the night before we left. Our captain, Tim, is at the far right of the image; his wife, Donna, was the photographer.

Here's to warm winds and good friends!

It don't mean a thing if it ain't got that swing

 

More than ten years ago I started writing a magazine article about popular music and grammar. My premise was that the songs we sing along with transmit a great deal, including troublesome grammar — although the grammar trouble is probably not the songwriter's intention. I also observed an extensive use of rhetorical schemes in popular lyrics. Some day I may go back to the article, though the impetus for writing it has long since passed out of existence.

But since I'm thinking about grammar a lot lately, here is, in my opinion, the most obvious grammar error in popular music, generated in the aid of pattern and rhyme: "Song she sang to me / Song she brang to me / Words that rang in me / Rhyme that sprang from me" (from Neil Diamond's "Play Me"). Lovely song, but that line always clunks for me, a merciless editor.

Also demonstrating pattern, as well as the rhetorical scheme of anthimeria (in which one part of speech is used in place of another, expected part), is Paul Simon's cheeky "A Simple Desultory Phillipic," which opens, "I've been Norman Mailered, Maxwell Taylored; / I've been John O'Hara'd, McNamara'd; / I've been Rolling Stoned and Beatled till I'm blind" and continues on with similar name play.

Other examples included slips from Kate Bush, Laura Branigan, Melissa Etheridge, Rosanne Cash, and Bryan Adams. And perhaps you'd be surprised to learn that Jim Steinman's lyrics offer a rich vein of examples of rhetorical schemes. 

Bet you haven't thought about pop lyrics like this lately. If you have examples of your favourite grammar errors in pop lyrics, I'd love to hear them — please share!

Rue-ful

Here's a fun group of people — staff and faculty from the Centre for the Arts — at a restaurant on rue Saint-Laurent in Montréal, June 2006. Of the seven, one has died, three have retired, and the others have (been) scattered. How way leads on to way...

Tick tick tick tick

The time before we leave is growing short and my mind is scattered. Thus, today's blog is a collection of witty things I've found and liked. Perhaps Pinterest is the better medium for this kind of thing today, but whatever. Enjoy!

**

Copyeditors do it with style.

Today's rain is tomorrow's whiskey. — Old Scottish saying. (In which case, Scotland must make an awful lot of whiskey!)

Even overweight, cats instinctively know the cardinal rule: when fat, arrange yourself in slim poses. — John Weitz.

His face took on the expression of an Englishman about to speak French. — P.G. Wodehouse

Time flies like an arrow; fruit flies like a banana. — Groucho Marx

I am not a vegetarian because I love animals; I am a vegetarian because I hate plants. — A. Whitney Brown

I am returning this otherwise good typing paper to you because someone has printed gibberish all over it and put your name at the top. — English Professor

La la la la ...

You may recall Bert and Ernie of Sesame Street singing the following lovely, lilting lyrics:

(Bert begins)

La, la, la, la lemon

La, la, la, la light bulb

La, la, la, la lamp post

La, la, la, la lump in my oatmeal

(Ernie makes some suggestions)

La, la, la, la laughter

La, la, la, la lullaby

La, la, la, la lollipop

La, la, la, la lights in the sky

(Bert has a good idea)

La, la, la linoleum!

(Ernie explains)

Listen to me

Because L is such a lovely letter

For words like "licorice" and "lace"

The letter L lights up your face

So why not la, la, la, la with me!

It's likely no surprise that this song has become something of a motif in my life. And so here's my take on the L song. (Who's the Bert in this scenario?)

La, la, la, la laundry

La, la, la, la lichen

La, la, la, la lugworm

La, la, la, la left-over lunch

La, la, la, la lava

La, la, la, la lachrymose

La, la, la, la laxative

La, la, la, la lay down the law

La, la, la lycanthropy!

(Why don't you put it in the middle of your forehead?)

Still, I think L is the loveliest, most likable letter of the alphabet and in my lexicon. So there!

Juvenes Dum Sumus

It's too muggy to write. Huh. I wonder whether Ernest Hemingway ever felt that way?

Regardless, here's a round-up of photos from various people's youth. Enjoy!

1. "The Artist"

Ah, bonjour, c'est moi. I am four in this picture, taken in January 1974 from the kitchen of my family home. (Helpful captioning by my mother, of course.) I am drawing on one of those drawing pads you likely remember from the Seventies: multi-coloured pages, poor-quality groundwood paper, purchased at the Safeway. Eventually I'd realize my true calling ...

2. Wind-swept away

Nicole and me post-concert. Having discarded the visual arts, I tried on the performing arts ... This is spring (probably May) 1986, outside our high school; the photographer is once again Nikki's mother.

3. Much ado about nothings

... and then moved to the literary arts. (And now I will abandon this silly linkage.) This picture features Allison, James, B, and me — plus a cameo from Tom W. Taken in February 1990 in the Honours Lounge at the U of A. "Then kill, kill, kill, kill, kill, kill!"

4. The Godmother

Nicole is Zak's godmother, although I think we're all grateful we never had to put that label to the test for real. This picture was taken on our moving day from Garneau to Bonnie Doon in December 1992. Bonus: a picture of Zak with Nuk. Happy times.

5.  Being cute together

Nicole took one of my favourite pictures of me and Zak — it's not this one; I'll have to find it one of these days — which generated the idea of Zak and me "being cute together." The picture above was taken in the kitchen of the Bonnie Doon house sometime in 1998: no more detail than that, regrettably. As always for me, the details make the picture: Zak is holding his pink blanket, his dragon backpack is in the background, we're sharing the chair with a bag of recycling, and I loved that red skirt (and probably still have it stashed somewhere in the back of a drawer).

6. Getting smarter

The wise Samantha absorbing knowledge from books. This is January or February 2000 as we prepared to sell the Bonnie Doon house in advance of our move to St Albert. Even the youth of a cat should be celebrated, don't you think?

Here's to Wednesday!

Let's Celebrate Ohio Sheep Day!

According to the delightful book World Rat Day (see July 12 post), today, July 14, is Ohio Sheep Day. To celebrate, this lovely line (composed by J. Patrick Lewis): "No one will ever forget Ewe."

I love a good sheep pun. Almost as much as a good typographical pun:

Comic Sans walks into a bar. The bartender says, "We don't serve your type here."

Tee-hee!

The vault of lost lyrics, chapter 36

This project of my imagination is thwarted by the findings of communication scholars, who point out that song lyrics are typically fairly uninteresting, and even silly, when extracted from melody, rhythm, and inflection. Regrettably, that observation is especially true of this song; but if you've ever heard it, you know how optimistic and joy-filled it sounds with its multiple intersecting vocals and sparkling balalaikas. It rouses my triumphant inner fifteen-year-old girl, anyway.

 **

"Burning Bridge" (Kate Bush)

Come close to me

Come cross the bridge

I need to know what you have to say to me

What have you got to say to me?

Tell me all about it

Tell me, please

Oh, I know

I know it works for me

As we cross the bridge — the burning bridge

With flames behind us

We front the line

It's you and me, baby, against the world

I've got to know what you have to say

What have you got to say?

Oh, I've got to get close now

Tell me all about it

All night long

All night long

It works for me

It's you and me, babe, against the world

All night long

It works for me

Let's cross the bridge

Oh, I know

I know, I know

It's you and me, babe

When you stand next to me, it's all right

It's you and me, babe, against the world!

"What Are the Cephalop-Odds?"

 I read this delightful poem for children in the book World Rat Day: Poems About Real Holidays You've Never Heard of by J. Patrick Lewis. This one is written to mark International Cephalopod Awareness Day (and you know I've always loved cephalopods).

I wish I was an octopus

In inky-dinky weather.

Then you and I could octopush

Our suction cups together.

Isn't that cute?

In case you're looking for it, the book was published in 2013 by Candlewick Press.

Here's to not melting!

Piratical good humour

I have loved the operetta The Pirates of Penzance for a very long time. I must admit, however, that I hear the following exchange much differently now than I did when I was thirteen.

Frederick:    Ruth, I will be quite candid with you. You are very dear to me, as you know, but I must be circumspect. You see, you are considerably older than I. A lad of twenty-one usually looks for a wife of seventeen.

Ruth:    A wife of seventeen? You will find me a wife of a thousand!

Frederick:    No, but I shall find you a wife of forty-seven, and that is quite enough.

Indeed. Interestingly, the subtitle of Pirates is The Slave of Duty. Isn't karma playful?

Halfway through

Howdy, and Happy Canada Day! Can't believe we're halfway through 2015. Yikes! Also, today is officially the first day of my sabbatical. Heh.

A little data to mark the year so far.

• Books read to June 28: 79

• Books recorded in LibraryThing to July 1: 4125

• Top Five Songs Played in iTunes in 2015:

5. Brandi Carlile, "The Eye"

4. Over the Rhine, "When I Go"

3. The Lovin' Spoonful, "Summer in the City"

2. Bonnie Pointer, "The Beast in Me"

1. Exile, "Kiss You All Over"

Well, who knows? Maybe I'll discover good taste before the end of the year.

And for those who note these things, my half-birthday passed happily on a warm, sunny day. Cheers!

Father's Day 2015

Happy Father's Day! And what a glorious early morning we're enjoying in Edmonton today: perfect for celebrating dads of all sorts.

In honour of the day, here's a selection of pictures of the father-and-son team I know best: Bruce and Zak.

1. My favourite father–son photo ever! Christmas 1991; Zak at four months.

2.  Photobooth follies! January 1993. We have a few strips from photobooths, and I treasure them all.

3. B's Summertime blues: Brooks, July 1995, with Brian and Michele, for Mitch and June's wedding.

4. Zak's Calvinism. Zak in Brooks, summer 1999, doing a remarkable imitation of Calvin from "Calvin and Hobbes."

5. All growed up: Granville Island, Vancouver, August 2007, at the conclusion of our first sailing voyage.

Lovely memories! Here's to fathers today and every day. Cheers!

Another throw

Good morning! It's Thursday, so it's throwback time. Here's a selection of really old family photographs.

1. My paternal great-grandfather: Apparently, it was once common to encounter photographers on the streets of downtown Edmonton. They would take your picture and sell it to you. I have a similar picture of my paternal great-grandmother. No wonder people dressed up to go downtown!

2. My maternal great-grandmother: She's on the left; my maternal grandmother is on the right. This picture was taken at a wedding in summer 1974. I remember attending the wedding but have just the faintest memories of my great-grandmother. She died a year or so after this photo was taken.

 3. Christmas dinner, December 1973: As I've written before, I can walk through my aunt and uncle's house in my memory even now; this is their dining room. The brightest figure in the image, just to the right of centre, is my cousin Wendy. That seems fitting. My parents are also in this picture, as are my maternal grandparents. The white hair in the foreground belongs to my paternal grandmother. Strangely, I remember this Christmas well, mostly because of my brother, who was an infant at the time; I was teasing him, and he accidentally scratched my face, giving me a scar that I still have.

4. "Bare skin": My mother helpfully captioned this picture. The rug is a lamb skin, apparently; I remember it well. This picture was taken in my parents' bedroom in June 1970. The only one of its kind!

5. Birthday girl: December 1972, my third birthday. Sitting beside me is my uncle Larry. I remember so many of the details in this photo but have long since forgotten the event itself. One of the most distressing and surprising things I've learned about going through old colour photos is how much they blur with age. Will they be completely unreadable in another few decades?                           

6. Princess Meddler: Apologies for the quality of this image, but I've included it specifically because of the quality. Earl has recently been posting images on his blog of events he can and cannot remember. I've added this photo because I remember it; it's one of my earliest remaining memories, from September 1972. First my mother took a picture of me outside, on our front steps; then she took this one, inside our front door. I was eager to see the picture, so I opened the Polaroid too early, creating the blotches you see on this image. I've always been surprised that my mother kept the picture, yet I think that I remember the event of the photo because she did. Memory is fascinating!

Well, thanks for strolling through the Seventies with me once again. Hope you enjoyed your visit!

Desert Island Discs

 

Do you remember the phenomenon of desert island discs? Famous people would compile lists of the (eight) records they would wish for, should they ever be trapped on a desert island.

Of course today, with the ubiquity of MP3 players and mobile phones, no one need ever be trapped with only eight records.

Still, the idea has intrigued me for decades, since I first learned of the concept. Perhaps now, with a fairly developed music collection, I am prepared to contemplate my own desert island discs.

1. Kate Bush, The Dreaming: "This album was made to be played loud," the liner notes say, and I have played it really, really loud over and over again for more than thirty years. I have performed choreographed dance routines to several of the tracks and know every word of every song. If my life were reduced to one record — if I could take only one disc to the desert island — this would be it. If you have never heard it — and how do you know me and why are you reading this post if you haven't? — it is by turns powerful, frightening, soaring, and haunting. Unquestionably the musical statement that has influenced me most.

2. Kate Bush, Hounds of Love: So much of my youth is wrapped up in this record; I have listened to it literally hundreds of times — perhaps more than a thousand times — on vinyl, cassette, CD, or MP3. The long-time-coming follow-up to The Dreaming, this record leads off with one of my very favourite KB tracks, runs through a string of singles, and then presents "The Ninth Wave," a mini-concept album that still delights me after nearly three decades. A masterpiece.

3. Tori Amos, Boys for Pele: I suppose a fan should pick Little Earthquakes, and certainly that remains a favourite, as does From the Choirgirl Hotel. But Boys is just a little more special. Tori is tied to a particular era of my life; her first several albums are musically brilliant and (for me) saturated with nuance and memory. After Scarlet's Walk, I lost the thread; but until then, I might have taken all of her discs to the island with me.

4. Simon and Garfunkel, Bridge Over Troubled Water: So difficult to choose! Part of me still thinks I'd rather have Bookends. But I simply cannot imagine never hearing "The Boxer" (in my opinion one of the most perfect songs ever recorded) again. (Maybe I'm taking this desert-island thing a little too seriously?) And by the way, there's no copping out and taking the "greatest hits" disc — though if that were an option... No, Bridge reflects the folky, lyrical, poetical me. Couldn't be without it.

5. The Pretenders, Learning to Crawl: Strangely, this is for my inner fifteen-year-old girl. Rock 'n' roll poetry. A little bit punk. Quite a lot angry. For me, this is a record about reaching for more. And if you're looking for women role models in music, Chrissie Hynde should be top of the list.

6. Joni Mitchell, Court and Spark: Could not be without this. I'd also want The Hissing of Summer Lawns and Ladies of the Canyon and Dog Eat Dog, of course, but since I'm pushed to choose only one ... shades of Sophie Zawistowska ... it has to be Court and Spark. I know, I know; the purists would choose Blue. But I imprinted on a different Joni, and C&S speaks to me like no other record. Going to listen to this one now ...

7. Film soundtrack, Jesus Christ Superstar: Can I get away with this? It's technically two discs, but in one package. Another record tied to my youth, but so formative. Comfort listening at its finest.

8. The Beatles, Sgt. Pepper's Lonely Hearts Club Band: You know, I think Magical Mystery Tour is probably the better choice for me, but it's not really an album. Rubber Soul and Let It Be are jostling for my attention but ... no, SPLHCB it is.

Omg this was a difficult exercise. Every choice closed off half a dozen other choices — no other soundtracks? No other eighties discs? Nothing from Cat Stevens or U2 or Peter Gabriel or Heather Nova  or Sarah Slean or ...? And no ABBA? B can't believe there's no ABBA. I console myself with the thoughts that 1) I have a good memory for music and can play other records in my mind's ear and 2) I will not be on this imaginary desert island for very long.

So, that's my provisional list, subject to change tomorrow. What discs would you need? Inquiring minds and all that ...

Photographic "art"

At the torture-filled local school I went to for grades seven, eight, and nine, the Industrial Arts and Home Economics programs were organized so that every grade seven student took two units of IA and two units of Home Ec. In this way, I earned credits for cooking things I could cook with my eyes closed and for sewing a stuffed animal. In this way, I also reinforced that my career would not involve engines, tools, or anything vaguely mechanical or manual.

This is my final submission for the darkroom rotation in IA 1. We also made carvings on blocks of linoleum, printed posters using a very simple letterpress, turned a tin can into a Barbie chair, and turned a wine bottle into a giant long-stemmed glass. These objects have long since met the landfill, but the photographic evidence of my darkroom incompetence remains.

To be fair to myself, I should observe that it's not the darkroom processes that went wrong. (The green streak is an artifact of scanning.) The assignment was to assemble a simple image using our choices from a box filled with interesting bits of metal. My wobbly owl is a fine concept; the hurried execution remains an artistic issue, however.

I enjoyed the darkroom work. I also remember that while I was doing this task, some of the boys I was friendly with were obsessed with Bob and Doug McKenzie and the Great White North. So perhaps some of the owl's wobbliness is the inanimate object's effort to escape from excessive exhortations to "Take off, eh."

Grade seven in a nutshell. Not sure about the infinite space, but bad dreams? Check.

Work and Play

B will tell you that I do not understand the concept of a vacation. Or at least I do not seem to know how to relax. In my defence, I'd say that I've been living my life on double-speed for so long that I can rarely disentangle work from play. Let's examine the photographic record.

1. This is Zak at eight months old on the lawn of Dale's house in Calgary, May 1992. I'm all dressed up because a few hours earlier I had given a forestry presentation at a school in Red Deer. The next day, we flew to Victoria for a holiday. Zak made a great smiling baby!

2. This is Zak four years later (spring 1996). We're in a queue for the ferry, so we're en route back to Vancouver. Notice the contrast in clothing: clearly a vacation.

3. This is me on my way to a Hallowe'en party, standing on the stairs of my former workplace, the WBM house. Earl took this photo. OK, definitely a intertwingling of work and play...

4. Zak, MeMere, and me. Brooks, July 2006: a weekend party for PePere's birthday. Definitely en vacances.

Well, I'm not sure I've made a strong case that I know how to relax, but I enjoyed flipping through these photographs. In fact, when I unearthed the photo basket, I realized we have hundreds of photos that exist only as prints, not in digital copies, so I could spend the next few weeks scanning and saving them ... Or maybe that would only prove B's point ...

In step with the meme

Happy Thursday! Your correspondent is busily writing and editing and having long lunches with friends, and therefore missed posting yesterday. Oops.

To make up for my bad ways, I offer you a Throwback Thursday photo bonanza!

1. My dad as an infant. Props to my grandmother for this.

2. My family, summer 1982, at the Strathcona Science Park in east Edmonton. Courtesy of my Kodak 110.

3. C'est moi, spring 1983, in an alley in Belvedere.

4. Dad and me, Sherwood Park, August 1986.

OK, that was a long throw back! Now my arm is tired. Ta!

Tuesday, which is not Monday

Wow, this week is flying by. And wow, I drank a lot of milk today.

In keeping with my random theme, here are three photos. Random!

1. In Paris. July 2008. This shop is now closed. Wah.

 2. My avatar! Actually a mosaic in the NYC subway. February 2013.

3. At a Hallowe'en fundraiser. Waiting to hear Le Fuzz. October 2013

Randomnosity is fun. I think I'll do more of this. Cheers!

Do'h!

This afternoon I contributed in a tiny way to C's upcoming magazine issue by helping to roast dough twists over an open flame. That probably doesn't sound very appetizing, but when the roasted dough is rolled in butter and sprinkled with cinnamon sugar, it should be tasty (at least for people who like butter and sugar).

Working in the kitchen with C today reminded me of the great Marxist cookie event of May 2012, in which Carmen and I undertook to make a dozen or so Groucho Marx-style cookies. Whee! Here's a picture of the best pan.

So cute! I still like these guys.

Anyway. I'm hopeful good food styling and good camera work will disguise the fact that my dough twist looked like it was roasted by the family under-achiever. And kudos to C for coming up with a fun project for a Monday afternoon.